A Quote by Jon Foreman
The song can be a little bit more of the mystery and leave the whole thing open ended. But there's something really gratifying about saying exactly what you mean.
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I take things a little bit more critically now, like, "What did I think I was saying in that song? What is this song about?" I thought the lyrics were incredibly descriptive, and now they sound really cryptic and weird. I'd like to also think that when I listen to songs from Something About Airplanes that I'm proud of my development as a writer. I don't think I was doing anything poorly at that time, but I can certainly see how my writing has changed.
The great thing about being an actor in a film is that you're able to start knowing exactly where you're going to finish and really paint something in between. You can work to know the arc you need to build. Whereas in television, it is open-ended, and you're constantly guessing. There are pros and cons to both.
I mean, the whole point of 'Astro' was to speak more about myself and open up, which was something I wasn't really doing in life.
I mean, as you start to scratch the surface - and that's what I think the intent of these films are. Here's a little bit of something if you're interested go read about it and it's a little bit more fascinating. It kind of is.
The interesting thing about Bettie Page that I discovered was to leave the mystery. She always retained a little mystery. Let there be some unknowns.
I like to mix and match things so I'm infusing a little bit of jazz, a little bit of classical, a little bit of soul, into the whole blues idiom and I'm coming up with something that I'm really interested in.
I did it a little bit in college, but now I've been doing it more. But yeah, it's not, I think you can definitely have a sense of humour about it. Like a lot of the time I'll finish my set with 'Sandstorm' by Darude - do you know that song? That's a funny song. People also go apeshit when you play it. But at the same time, it's not like the whole thing is a joke.
So you can be about your business, and then on it comes again. And this time you're ready, and you've got a wine glass or something. And you put the glass up to the wall, and you can hear through the wall a little bit more of the song - maybe just the middle bit this time. You know, you managed to get in a little bit of the end. And so it goes on until - because you just got to - you really just want to sing it.
I have a song about being in love. I have a song about being supportive. There's inspiring ones, and there's some that show a little bit more fun and daring. It really is a range of who I am.
I'm not going to make a judgment on plastic surgery because I don't have to yet. I mean, I'd like to think I'll feel great about myself and age gracefully, but then I think, Well, what if I do want a little bit of something? I'm open to being open.
There's something I really love about independent filmmaking. Everyone is a little bit more close-knit, and you rely on people a little bit more. The bigger the budget gets, the more everyone toes the line in their department.
If the mean thing is being said with a person who abused malice, then something sounds mean. If something that is considered mean is being said by somebody who has good intentions and has maybe a comedic lack of awareness, then you can get away with a little bit more.
'You'll Accomp'ny Me' is a song I've always really cherished. The guy in that song is just so courageous. He's saying this to the girl, 'I know you've got to go do your thing, but eventually, we'll be together. I feel that strong, and I know it in my soul.' And there's something really cool about that.
When you are trying to impress people with words, the more you say, the more common you appear, and the less in control. Even if you are saying something banal, it will seem original if you make it vague, open-ended, and sphinxlike. Powerful people impress and intimidate by saying less. The more you say, the more likely you are to say something foolish.
Unless I'm a little bit scared about something, I'm genuinely not actually entirely happy. I feel I need to be just that little bit outside my comfort zone, and then I can really surprise myself and stretch myself, and I think that's a really good thing for any actor.
I've definitely read interviews with people where they've explained exactly what they wrote something about and I've been like: "Oh no, I was thinking that was a really beautiful love song or a really sad thing."
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