A Quote by John French Sloan

A piece of drapery is like a necktie, hot stuff to paint, and one of the easiest things for a painter to kid himself into thinking he can do. Don't be fooled by the color. Go after the shape and character. Hew the forms together with colored tones.
It's the director's job to piece together my performance, his interpretation of my takes, each take, and string them together and make a statement. I'm red paint on a canvas for a painter.
And then, of course, most potters, they go in for earth tones and subdued things, and I like color.
Be humble about it. Paint the color tones as they come against each other, and make them sing, vibrate. Don't ask me to look at those self-satisfied, pretty things.
In the drawing room [of the Queen's palace] hung a Venus and Cupid by Michaelangelo, in which, instead of a bit of drapery, the painter has placed Cupid's foot between Venus's thighs. Queen Caroline asked General Guise, an old connoisseur, if it was not a very fine piece? He replied "Madam, the painter was a fool, for he has placed the foot where the hand should be.
Paint records the most delicate gesture and the most tense. It tells whether the painter sat or stood or crouched in front of the canvas. Paint is a cast made of the painter's movements, a portrait of the painter's body and thoughts.
...And for every day you paint the war, take a week and paint the beauty, the color, the shape of the landscape you’re marching towards. Everyone knows what you’re against; show them what you’re for.
When you go out to paint, try to forget what objects you have before you - a tree, house, a field....Merely think, here is a little square of blue, here an oblong of pink, here a streak of yellow, and paint it just as it looks to you, the exact color and shape, until it gives your own naive impression of the scene before you.
The painter has to unlearn the habit of thinking that things seem to have the color which common sense says they 'really' have, and to learn the habit of seeing things as they appear.
I enjoy doing fun things outdoors with my son to stay in shape. We like camping together. After a weekend in the woods, I'm sorer than after a week at the gym!
I think a lot of times we think of music as being different from other art forms. You would never ask a sculptor or painter, 'Go paint this because you'll get paid more,' you know what I mean?
If a person remains tense for a long time he might not notice it himself, but it’s like his nerves are a piece of rubber that has been stretched out. It’s hard to go back to the original shape.
Most of the time, I grill over high heat. I like things to move fast. I like the sound and smell of a very hot fire. I gravitate towards dishes that you can get on and off the grill as quickly as possible. After a while, you'll know without thinking about it how hot the fire is.
I'm thinking like the character in order to be as authentic as I can. But after a while, how would I be able to cleanse myself from this unless I do something that's a different medium but also creative. That's what I do. It's my little ritual. After every filming, I just write a poem about it and my character specifically and I can let her go.
Filmmaking is finding a piece of granite and you start to chip away and then you have the shape of a head, the shape of the arm, you can see the shape of the face and the face starts to gather character. You have to find it.
I was given some designer colors for ink pens a long time ago and I haven't used them, and I have some handmade paper, and I just have the desire to drip on wet paper. It reminds me of when I was seven years old and had my tonsils out, and one of the first artworks I made was on toilet paper with a colored pencil; it was sort of half paint and half colored pencil. But I got very involved with color and absorption and I think, you know, 78 is a good time to go back to the beginning.
The colored planes, as much by position and dimension as by the greater value given to color, plastically express only relationships and not forms.
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