A Quote by John Fusco

It always circled back around to Marco Polo and Kublai Khan. That always fascinated me because so few people make the connection between the two. — © John Fusco
It always circled back around to Marco Polo and Kublai Khan. That always fascinated me because so few people make the connection between the two.
I feel like we are reintroducing historical figures, with the explorer Marco Polo and the grandson of Genghis Khan, Kublai Khan, the ruler of the Mongol empire, the trading place that everybody wanted to get involved in.
In 2007, I did a horseback trip across part of central Mongolia with my 13-year-old son - we encountered Marco Polo at all these historical places where Mongolian nomads would reference his accounts and his relationship with Kublai Khan.
When people hear the name 'Marco Polo,' they tend to think of a map or explorer. Very few people know the true story of Marco Polo, and it's so much more compelling and exciting than the mythology.
Kublai noticed this uncommon perception that Marco Polo has, with the idea to explain and talk about his country so vividly that he can see it.
There is still one of which you never speak.' Marco Polo bowed his head. 'Venice,' the Khan said. Marco smiled. 'What else do you believe I have been talking to you about?' The emperor did not turn a hair. 'And yet I have never heard you mention that name.' And Polo said: 'Every time I describe a city I am saying something about Venice.
He was an Italian kid traveling in China, and I'm of Italian decent with a fascination for China. So, I always felt this connection to him and lived vicariously through the travels of Marco Polo.
I've always been inspired by small details that make me wander. My mother would ask me, 'What are you looking at so intensely?' I would answer, 'Everything and nothing.' She really supported my wanderings, called me Marco Polo.
The inter-relationships between people have always fascinated me, as a director. And particularly those who are battlers in life, those who are on the fringes of life, they've always fascinated me, and I've always loved working on those characters.
Anyone that knows me will tell you that any time we're going somewhere, if there's a US flag, they'll always point it out because they know I love it. Just how our whole country started and just the migration of Europeans to this country, all of that, just the history of everything has fascinated me, but my biggest thing is I want people to understand that when there are hostilities between nations there's always two sides.
While I circled around and around in my brown rental skates, I studied a group of skaters spinning in the center. I was fascinated! When my mom picked me up, I began a campaign for skating lessons.
I'm a little like Marco Polo, going around and mixing cultures.
At a young age, when I was fascinated with China, I read 'The Travels of Marco Polo' and learned about this exciting, dramatic world he captured and reported on. He's so little known, but yet this mythology has survived that's so misrepresentative of his story.
I always thought what an interesting idea because almost everybody's fascinated by the perpetrator of a crime; very few people study what happens to people for the rest of their lives, and how it affects not only that particular character but other characters around him as well.
My symbol was always a polo player because I liked sports, and polo has a stylishness to it.
It's important for people to try and be more like Marco Polo in how he explored the world, very few of us nowadays pay attention to cultures and try to understand them.
I make films because I am endlessly fascinated by people. I'm fascinated immediately to know about the lives that are going on around me. That is what drives me. And that is because everybody matters, everybody is there to be cared about, everybody is interesting and everybody is the potential central character in a story. Judging people is not acceptable.
This site uses cookies to ensure you get the best experience. More info...
Got it!