A Quote by John Hodgman

I used to enjoy the anonymity of being a literary figure and occasionally a public radio figure. — © John Hodgman
I used to enjoy the anonymity of being a literary figure and occasionally a public radio figure.
My father was a public figure all my life, and so the presidency was an extension of that. I guess you get used to it, though you can stand back occasionally and think, 'Boy, this is really weird!'
I won't complain about touring, because I really do believe that a public-figure musician complaining about being a public-figure musician is just absurd. Like, 'Boo hoo hoo! I have to stand on stage and people pay attention to me!'
MySpace is somehow more welcoming than Facebook. And Twittering, I just... Ugh. I like having radio silence. I think radio silence is an important part of any public figure's day. We haven't seen it yet, but there's going to be a generation that comes up where the new trend will be complete anonymity. It'll be cool to have never posted anything online, commented, opened a webpage or a MySpace. I think everyone in the future is going to be allowed to be obscure for 15 minutes. You'll have 15 minutes where no one is watching you, and then you'll be shoved back onto your reality show.
The more you stay in this kind of job, the more you realize that a public figure, a major public figure, is a lonely man.
As an artist, I used to think that my responsibility was to do good work. But I had to learn from the '70s on that being a public figure presents another aspect of responsibility.
As an artist, I used to think that my responsibility was to do good work. But I had to learn from the 70s on that being a public figure presents another aspect of responsibility.
Occasionally, as children, we might figure out how to call somebody a name, and they would figure out how to call us. But it wasn't - it was so light. It was so fluffy. I didn't really have a strong awareness of segregation and the separation of races until I left Lorain, Ohio.
As a public figure, I'm always interested in being part of brands that I actually enjoy. So, I would never do something with somebody I don't believe in, a product I don't believe in. There are so many products out there that I love that I'd chomp at the bit to be a part of their campaign.
I'm really interested in how we view the public figure, what makes a public figure, what makes a celebrity, and how images make politicians, so I take an interest in politics, but it's really an interest in the image.
I don't really have a comprehension of being a public figure.
I'm now becoming a bit more cognizant of what's going on and the responsibility of being a public figure and also being white and being in Hip-Hop.
A slick way to outfigure a person is to get him figuring you figure he's figuring you're figuring he'll figure you aren't really figuring what you want him to figure you figure.
Being a public figure was reserved for movie stars.
When I used to teach writing, what I would tell my playwriting students is that while you're writing your plays, you're also writing the playwright. You're developing yourself as a persona, as a public persona. It's going to be partly exposed through the writing itself and partly created by all the paraphernalia that attaches itself to writing. But you aren't simply an invisible being or your own private being at work. You're kind of a public figure, as well.
I paint like an abstract painter everything is inside nothing is meant to be, I take tattoos off a people I take anything that's not necessarily going to be timeless. I want to get across what I feel and I just use the figure because I enjoy the figure.
You know that being a public figure is instantly grounds for prosecution.
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