A Quote by John Szarkowski
The central act of photography, the act of choosing and eliminating, forces a concentration on the picture edge - the line that separates in from out - and on the shapes that are created by it.
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The act of choosing whether or not to have a child is often an act of love, and always an act of survival.
The act of willing this or that, of choosing among various courses of conduct, is central in the realm of ethics.
Making dances is an act of progress; it is an act of growth, an act of music, an act of teaching, an act of celebration, an act of joy.
every choice has its obverse, that is to say a renunciation, and so there is no difference between the act of choosing and the act of renouncing
Photography is inherently an analytic discipline. Where a painter starts with a blank canvas and builds a picture, a photographer starts with the messiness of the world and selects a picture. A photographer standing before houses and streets and people and trees and artifacts of a culture imposes an order on the scene - simplifies the jumble by giving it structure. He or she imposes this order by choosing a vantage point, choosing a frame, choosing a moment of exposure, and by selecting a plane of focus.
I believe photography is about choosing to live, being brave. Looking is an act of courage. It's terrifying. It's possible to see too much, to witness things that we cannot hold.
Any human act that gives rise to something new is referred to as a creative act, regardless of whether what is created is a physical object or some mental or emotional construct that lives within the person who created it and is known only to him.
But the act, called the sexual act, is not for the depositing of seed. It is for leaping off into the unknown, as from a cliff's edge, like Sappho into the sea.
I'm really interested in passivity as a type of action - sort of allowing the situation to change you, choosing to give in being an act of agency rather than an act of submission.
When one is rising, standing, walking, doing something, stopping, one should constantly concentrate one's mind on the act and the doing of it, not one ones' relation to the act or its character or value... One should simply practice concentration of the mind on the act itself, understanding it to be an expedient means for attaining tranquility of mind, realization, insight, and wisdom.
Why does a woman carry a gun? Because, under our system, every citizen has the latitude to act in the absence of police; the latitude to act reasonably, to act immediately, to act in defense of self, to act in defense of another, to act with lethal force, to act with her acquired training and to act not in anger but to respond in purpose. To exercise the protections of that latitude in public policy, public interest and practical safety, all that is demanded of her is that she act reasonably under the circumstances.
The picture of the guy pissing on the chair was a picture I had to do. I had the idea of this absurd act of pissing on a chair rather than in a toilet or on the ground, and this minimal act being so transgressive, even though no major harm is done.
The first act is writing, the second act is filming, the third act is releasing. If you have to partake in the third act, it hurts the first act of the next one. It's like a prizefight. You get punched.
It's possible to think of photography as an act of editing, a matter of where you put your rectangle pull it out or take it away. Sometimes people ask me about films, cameras and development times in order to find out how to do landscape photography. The first thing I do in landscape photography is go out there and talk to the land - form a relationship, ask permission, it's not about going out there like some paparazzi with a Leica and snapping a few pictures, before running off to print them.
I enjoy a third act, and I like stories with ending. A lot of my frustration with serialized storytelling is a lot of shows don't have a third act. They have an endless second act, and then they find out it's their last year and often have to hustle to invent a third act, but they were never necessarily organically meaning to begin with.
The sexual act - thinking about the sexual act, the telling about the sexual act, after the sexual act, is so much more important than the actual sexual act - just in time. It's like of the whole sexual act, you probably spend 95% of the time thinking about it, talking about it afterwards. The actually sexual act, especially when you're 17, is minutes.
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