A Quote by John Szarkowski

The very best pictures adapt themselves to many changes in meaning. — © John Szarkowski
The very best pictures adapt themselves to many changes in meaning.
The successful human being is adaptable. We have to adapt to changes in weather. We have to adapt to changes in climate. We have to adapt to changing economic circumstances. People that don't have the flexibility to adapt or who are afraid of change or who oppose it are going to be left behind.
We'll have a different set of values, and society will adapt. That doesn't mean these changes are all good, just because we will accept them. But the 'Chicken Little' view of history isn't correct. Changes take place gradually, and people and institutions adapt.
One of the best attributes of human beings is that they're adaptable; one of the worst attributes of human beings is they are adaptable. They adapt and start to tolerate abuses, they adapt to being involved themselves in abuses, they adapt to adversity and they continue on.
Churches, by the very reason of their structures, are monolithic and do not adapt easily. But in many cases, they, too, have allowed themselves to become allied or even part of an unjust establishment or system.
My first wedding was 15 people at our condo. The second was maybe about a hundred people at this fabulous casino. And you know what? I have almost no pictures of the second one, because I put disposable cameras on the tables, because everyone said, "The best pictures are the most candid! The best pictures are the ones people just take!" So, I put disposable cameras on the tables, and guess what? There were so many kids there that those cameras were stomped on. I had so many pictures of the floor, of people's eyes, of someone's finger.
A fully integrated culture would be like the dinosaurs, which had to perish because they were no longer able to adapt themselves to changes in the external environment.
Victory smiles upon those who anticipate the change in the character of war, not upon those who wait to adapt themselves after the changes occur.
Theory has nothing to do with a work of art. Pictures which are interpretable, and which contain a meaning, are bad pictures. A picture presents itself as the Unmanageable, the Illogical, the Meaningless. It demonstrates the endless multiplicity of aspects; it takes away our certainty, because it deprives a thing of its meaning and its name. It shows us the thing in all the manifold significance and infinite variety that preclude the emergence of any single meaning and view.
When I think of high school, stills are so important: it's all about the wallet with the kids - they define themselves with pictures, who they know, whose pictures they have. Yearbook pictures.
Changes in our aesthetic tastes have no value or meaning in and of themselves; what has value and meaning is the idea of change itself. Or, better stated: not change in and of itself, but change as an agent or inspiration of modern creations.
I was 16 and went straight into the reserves. I had to adapt to the language, adapt to a new country, adapt to a style of play, all with new team-mates. All those kind of things were in my head and it was very hard.
My pictures are devoid of objects; like objects, they are themselves objects. This means that they are devoid of content, significance or meaning, like objects or trees, animals, people or days, all of which are there without a reason, without a function and without a purpose. This is the quality that counts. Even so, there are good and bad pictures.
Fashion really does change the world. It changes how people feel about themselves. It changes what people are comfortable with sexuality-wise. It changes how people accept themselves.
Memories were moving pictures in which meaning was constantly in flux. They were stories people told themselves.
Reasonable men adapt themselves to their environment; unreasonable men try to adapt their environment to themselves. Thus all progress is the result of the efforts of unreasonable men.
On things she had to pack before leaving her home in advance of a forest fire, 1996. Childhood pictures and pictures of my life. Do you know how many pictures that is? Not just this life; I have pictures from 13,000 lives.
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