A Quote by John Schneider

At the core, I'm a filmmaker and a storyteller. — © John Schneider
At the core, I'm a filmmaker and a storyteller.
Ron Howard is a great filmmaker and also a great storyteller in 60- and 30-minute shows, so why isn't he going to be a great storyteller in 10-minute pieces?
Whether you consider me a master filmmaker or not, I do it with my intuition and my vision, my experience as a storyteller.
We need the expressive arts, the ancient scribes, the storytellers, the priests. And that's where I put myself: as a storyteller. Not necessarily a high priestess, but certainly the storyteller. And I would love to be the storyteller of the tribe.
Working with Robert, Robert [Elswit] is a storyteller. He's not a cinematographer, he's a storyteller. And to me, that's the graduation I hope to get to in my profession. That I'm not just an actor, I'm a storyteller. And I think that takes a long time in, when you have one job on a movie set. Makeup artists, actor, whatever. To graduate from just that to storyteller.
In a way, perhaps, there's an advantage of being on the edge of something and looking in as the observer, because as the filmmaker, you're the storyteller, and you're pulling out this universal story.
Acting is my first focus, but at the core, I'm a storyteller, and however that comes out is fine with me.
I keep trying to train myself to stop saying 'filmmaker' and start saying 'storyteller.' We're telling stories.
I'm a filmmaker, I'm a storyteller, an entertainer, if you will, so what can I do to participate? Well, I'm not a scientist; I'm not an expert on environmental law; I'm a guy that can tell stories. So I always look for a way to communicate ideas and help to spread excitement for change.
It's the same old story. Nothing in this world happens unless white folks says it happens. And therein lies the problem of being a professional black storyteller - writer, musician, filmmaker.
I was always a filmmaker before I was anything else. If I was always anything, I was a storyteller, and it never really made much of a difference to me what medium I worked in.
So I should be aware of the dangers of self-consciousness, but at the same time, I’ll be plowing through the fog of all these echoes, plowing through mixed metaphors, noise, and will try to show the core, which is still there, as a core, and is valid, despite the fog. The core is the core is the core. There is always the core, that can’t be articulated. Only caricatured.
I've never seen a great military, political, or corporate leader who was not a great storyteller. Telling stories is a core competency in business, although it's one that we don't pay enough attention to.
You turn the computer into the storyteller and the player into the audience, like in the old days when the storyteller would actually respond to the audience, rather than just having the audience respond to the storyteller. I had an enormous amount of fun, actually, working on that.
We've been fighting our whole lives to say we're just human beings like everyone else. When we start separating ourselves in our work, that doesn't help the cause. I've heard it for years: 'How do you feel being a black filmmaker?' I'm not a black filmmaker, I'm a filmmaker. I'm a black man, I have black children. But I'm just a filmmaker.
If there isn't a deep core reason for a film existing, what is the point? For me to be known as a filmmaker that makes films that have a point, I'm stoked.
I didn't know anybody who was a filmmaker - there was no film industry where I grew up. I never knew what a director really did until I was in high school and I started reading up about it. I've always loved films, and I always felt like a storyteller.
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