A Quote by John Eldredge

To be in theater you have to be a kind of psychologist, for you're always trying to understand character and motives. — © John Eldredge
To be in theater you have to be a kind of psychologist, for you're always trying to understand character and motives.
I'm constantly involved in theater, looking at theater, trying to do work in theater, support theater. And that's kind of my creative passion.
I don't always understand other people's motives. I will repeat that for my own benefit, if you don't mind. I don't always understand other people's motives.
I've made movies on every part of the spectrum, and you do understand when you go into certain movies that you're trying to elicit a certain kind of response from the audience, and people get a real sense of satisfaction when they're rooting for a character and the character pulls it off.
No psychologist should pretend to understand what he does not understand... Only fools and charlatans know everything and understand nothing.
I always quite like the idea of casting against type when I'm looking for and trying to understand who a character is.
I'm always going to be a student. I'm always learning. I'm always trying to grow. I'm always trying to understand. I never want to feel like I've arrived.
I looked at theater, in the sense that theater is unmanipulated. If I want to pay more attention to one character on stage than another, I can. I think there's not enough theater in film and not enough film in theater, in a way.
You have to give everyone ugly motives for everything they do, because ugly motives are all you understand.
I come from a theater background, so I always like to dissect the scene and try to get some hint about what the author was trying to get at. I still look up the meaning of the name of the character to see if there are any clues in that.
The objective psychologist, hoping to get at the physiological side of behavior, is apt to plunge immediately into neurology trying to correlate brain activity with modes of experience ... The result in many cases only accentuates the gap between the total experience as studied by the psychologist and neural activity as analyzed by the neurologist.
I don't always have the time I wish I had to understand something I don't understand. So I'm trying to do a little bit less of the quick pieces and a little bit more of the "here's how the Singaporean health care system works" kind of stuff, because to be good at my job, I have to keep learning. The thing that I fear the most is becoming one of those journalists who is still trying to apply the thinking of the decade in which they started three or four decades later.
I was doing this children's theater play, and it was non-Equity. We were out of town to do it at the Kennedy Center, and it was always kind of, 'Well, the producers may have to turn this into Equity,' and that's what happened. It was kind of a silly children's theater play, but that's how I got my card.
Everyone who comes within the reach of your knowledge is, as it were, on trial in your mind. It is easy to be an unjust, ignorant, and even a merciless judge. The real character of the actions of others depends in great measure on the motives that prompt them, and these motives are unknown to you.
I was raised in New York City and raised in the New York City theater world. My father was a theater director and an acting teacher, and it was not uncommon for me to have long discussions about the method and what the various different processes were to finding a character and exploring character and realizing that character.
Any actor who judges his character is a fool - for every role you play you've got to absorb that character's motives and justifications.
I have to work hard and wear pants. I've worked really hard these last years, and since everything is coming together at the same time, I had to move the play back. I'm kind of in love with my theater agent. I'm a true naïve about the theater, a total innocent. He says to me, have you ever been to a rehearsal room? Do you realize you are opening at the Public in New York? You do understand that the audience will be New York theater people?
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