A Quote by John Entwistle

The first eight songs we were using someone else's monitors and it is hard to follow the changes when you are jamming if you can't hear those who you are jamming with. — © John Entwistle
The first eight songs we were using someone else's monitors and it is hard to follow the changes when you are jamming if you can't hear those who you are jamming with.
I don't know about the time those songs were written. But he was jamming with someone in Colorado or San Francisco, and I'm sure he was working on the lyrics right up to the show because they were really relevant for the situation.
I was the kid jamming out to the songs on the radio, and now there's hopefully kids out there jamming out to my music.
That's one of the cool things about going to local bars: seeing what people are doing and jamming with them. I'm a huge advocate of jamming with others; you learn a lot. So I love to go and do that - even if people wipe the stage up with you.
I just love the process of working with other actors. It's like jamming with a musician, except it takes a little more effort to get to that place as an actor, because you have the cameras and lights and everything. But I love jamming with these people.
The way that we imitate each others' riffs is something that other bands don't do as much. If we're jamming with a jazz band, or I am jamming with a jazz band, I have to catch myself, the tendency is always to do that.
The conventional asset-allocation method is like sheet music. It is prescribed, it has right answers and wrong answers and it sounds about the same every time. But jamming is different. Jamming is when you make the music. When you improvise and adapt to conditions. When you are creative.
When we were making Speaking in Tongues and Remain in Light, we were jamming. From that we were taking the best bits and then recording and improvising on top of those.
My first job at the bakery was jamming doughnuts.
To me, there's no question that using a metronome develops your speed and accuracy. If you're learning scales or you're jamming on parts that you can't quite pull off, it's a must.
The great thing about jamming is that you come in with zero preconceptions. Someone might want to play something that suggests something else to you, and the next thing you know you're on a 20-minute adventure.
I think if you take 'Get Ready,' 'Waiting For The Siren's Call,' 'Lost Sirens' - those three New Order albums were mostly guitar-based. There were a couple of dance tunes in there, but they were mainly guitar-oriented. They came about through jamming, a lot of them.
But when it came to jamming and writing songs like we used to, we realized Brandon was a huge spirit in the band. Who knew? It was just something we had to learn.
I think the best riffs and the best songs come when you're jamming and having a good time.
Then the musical instruments appeared. Dad’s snare drum from the house, Henry’s guitar from his car, Adam’s spare guitar from my room. Everyone was jamming together, singing songs: Dad’s songs, Adam’s songs, old Clash songs, old Wipers songs. Teddy was dancing around, the blond of his hair reflecting the golden flames. I remember watching it all and getting that tickling in my chest and thinking to myself: This is what happiness feels like.
It's very hard to write a song alone. It's only by jamming that you can get a song together.
The very first practice we [Woody Weatherman, Mike Dean & myself ] did it was like, "Oh ok, I get it." We were jamming on some crazy ass, out of the box, weird time signature riffs and I got it, whereas anyone else who was playing with them recently would have been like, "What? What are you doing?" So I think there's something unspoken between the three of us that makes us Corrosion of Conformity.
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