A Quote by Jonathan Groff

In theater, you're in charge of your performance, and at the end of the day you're the one who gets credit because you're in front of the audience doing it, and in film and TV it's the director who gets to decide when to cut to you on a line, which take he uses.
You know, you're doing the same show every day, and your inspiration, you have to look no further than the fact that you know people travel across the country to see you. In a lot of cases, this is that audience's only chance to see the thing, and so, that's what gets you up in the morning, and that's what gets you giving your best performance on stage, is the awareness that this audience is ready for it, and here to have an experience, and so in turn are you.
The first thing I say when people ask what's the difference [between doing TV and film], is that film has an ending and TV doesn't. When I write a film, all I think about is where the thing ends and how to get the audience there. And in television, it can't end. You need the audience to return the next week. It kind of shifts the drive of the story. But I find that more as a writer than as a director.
The exercise in theater is night after night you are doing the same play, but you have another opportunity to explore. It changes nightly even because of the audience and your day going into the evening of the performance. With film it's much more controlled.
You act in a movie, and at the end of the day, the director and editor decide what your performance is.
The only two TV shows I saw do that, where they don't warm them up and you can really bomb, was Saturday Night Live - and that's why it gets a lot of heat, too. Obviously it gets criticism fairly, too. But a lot of it is because Lorne [Michaels] lets the audience decide and doesn't force them to laugh.
The director does not have anyone to blame but himself. He or she cannot hide behind anybody. If a film is a hit, everyone gets the credit, but if it flops, only the director can be blamed.
Film is mostly a visual medium, and so the director has much more control in terms of painting pictures and painting a performance. For theater, the director does everything he can and then says, 'Out you go,' and the actors are in charge of that stage every night.
You're under the gun at all times because it's live TV. A lot of time, between dress and air, you're having to come with an entire ending to your sketch that gets an even better, bigger laugh - which is terrifying... People are filing into the audience, and you're writing a new joke for the end of it.
I am an actor who gets into a role only when the director says 'action' and gets out of it with 'cut.'
Pretty much, the writer's in charge in theater. Of course you're in charge with the director, but no one can change your words. People can give you notes, but you don't have to take them. In Hollywood you take them and you cash your check and that's your job. It's very different.
Yoga stretches out your body and releases lactic acid. I do it four times a week, and my skin feels fantastic afterwards. When I'm doing a film, I do it every day - I keep a yoga mat in my trailer. Sometimes I do it in front of the TV. The stretching makes me feel so good. It gets my heart going and helps me breathe deeply.
Film’s thought of as a director’s medium because the director creates the end product that appears on the screen. It’s that stupid auteur theory again, that the director is the author of the film. But what does the director shoot-the telephone book? Writers became much more important when sound came in, but they’ve had to put up a valiant fight to get the credit they deserve.
Whatever gets your goat gets your attention. Whatever gets your attention gets your time. Whatever gets your time gets you. Whatever gets you becomes your master. Take care, lest a little thing horn in and get your goat
Patrick thought we should try to put an audience in front of one of the workshops, basically in front of the class and see how the performers rose to having an audience there, because he said, "You know, it's a really interesting test, because sometimes it gets even funnier."
Nobody gets to say who we love, or who we lay down beside, or take as our husband, lover, life, or bride. Nobody gets to decide what's for some, that others should hide. Pride. Nobody gets to choose but YOU.
For me, a director is a director immaterial of the gender. At the end of the day, the audience is only interested in watching a good film.
This site uses cookies to ensure you get the best experience. More info...
Got it!