A Quote by Jonathan Carroll

The future is fastidious and punctual. It keeps perfect time and arrives everywhere on the dot. In contrast, its slacker brother the past has no use for clocks or appointments. It comes and goes as it pleases in our memory, camping out wherever the hell it damn well wants to in there. Untrustworthy, prone to exaggeration, biased- you wouldn't lend it ten cents, but it *sure* can be charming and seductive when it feels like it.
The first time it happened I was ten. It was an accident. The second time I meant To last it out and not come back at all. I rocked shut As a seashell. They had to call and call And pick the worms off me like sticky pearls. Dying Is an art, like everything else. I do it exceptionally well. I do it so it feels like hell. I do it so it feels real. I guess you could say I've a call.
In the future, we've forgotten it. It's disappointing to find out that the past is the present is the future. Nobody wants that. And yet, that's what it is. Maybe it's a kind of surrealist move, to use language like "post-racial" - thinking that if you create the language for it, it will happen. I wish it worked that way. But that's not our reality.
As time goes on we become old, the future contracts, the past expands...But by future we don't just mean the years ahead; we always mean as well the plenitude of possibilities which challenge our creativity...In confrontation with the future we can become young if we accept the future's challenges.
Forgiving does not erase the bitter past. A healed memory is not a deleted memory. Instead, forgiving what we cannot forget creates a new way to remember. We change the memory of our past into a hope for our future.
He who can see truly in the midst of general infatuation is like a man whose watch keeps good time, when all clocks in the town in which he lives are wrong. He alone knows the right time; what use is that to him?
Besides, whoever keeps the future in front of him and the past at his back is doing something else that's hard to imagine. For the image implies that events somehow already exist in the future, reach the present at a determined moment, and finally come to rest in the past. But nothing exists in the future; it is empty; one might die at any minute. Therefore such a person has his face toward the void, whereas it is the past behind him that is visible, stored in the memory.
Well I'm sure now that the press is going to tell you (Mitt Romney) isn't perfect. Now my friends for the past four years, we've tried the one that the press thought was perfect and that hasn't worked out all that well for us.
We need to make sure our activities and our attitudes line up with what pleases God first and foremost. Wherever we focus our attention the most will become the driving force in our lives.
The seams, the laminae between the various worlds the past present and future as well as the living and the nonliving may not be as distinct and clear-cut as we have been taught or as our somewhat arbitrary clocks and calendars have led us to believe.
Even time is a concept. In reality we are always in the eternal present. The past is just a memory, the future just an image or thought. All our stories about past and future are only ideas, arising in the moment. Our modern culture is so tyrannized by goals, plans, and improvement schemes that we constantly live for the future. But as Aldous Huxley reminded us in his writings, "An idolatrous religion is one in which time is substituted for eternity...the idea of endless progress is the devil's work, even today demanding human sacrifice on an enormous scale.
Memory is a part of the present. It builds us up inside; it knits our bones to our muscles and keeps our hearts pumping. It is memory that reminds our bodies to work, and memory that reminds our spirits to work to: it keeps us who we are.~Candle
Yes, creative people are more prone to addiction or addictive behavior. But, equally as prone is your mailman, your mother, your brother, your friend, the guy who does your banking. It's everywhere. The thing that happens in the press sometimes is Whitney Houston. She was just an addict. Just like your uncle Steve.
I've always been fascinated by memory and I remember Jonah, when we first started dating, was working on something involving memory. It was early on in our relationship and I was like, damn it, I wanted to do a movie on memory. That was 'Memento.'
Memory is strange. Scientifically, it is not a mechanical means of repeating something. I can think a thousand times about when I broke my leg at the age of ten, but it is never the same thing which comes to mind when I think about it. My memory of this event has never been, in reality, anything except the memory of my last memory of that event. This is why I use the image of a palimpsest - something written over something partially erased - that is what memory is for me. It's not a film you play back in exactly the same way. It's like theater, with characters who appear from time to time.
This veridic nose arrives everywhere a quarter of an hour before its master. Ten shoemakers, good round fat ones too, go and sit down to work under it out of the rain.
Nobody wants to look like a fool. Nine times out of ten, that reason alone keeps people from allowing themselves to believe.
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