A Quote by Jonathan Lethem

The book is openly a kind of spiritual autobiography, but the trick is that on any other level it's a kind of insane collage of fragments of memory. — © Jonathan Lethem
The book is openly a kind of spiritual autobiography, but the trick is that on any other level it's a kind of insane collage of fragments of memory.
To work on the competition wear for the Olympics is kind of insane. As a fashion designer, you don't think to yourself, 'I'm going to get the opportunity to work with athletes at that level at the Olympic Games.' It really is such an incredible thing to have any kind of contact with as a designer.
If I basically view criticism as sort of an interesting form of writing about oneself, an interesting form of autobiography, then I don't feel any pressure to have any kind of authoritative, universal voice. That kind of thing has never interested me.
In some ways, jazz is the most precise of art forms and the loosest in the sense that it's all about improvisation, but the musicianship required is kind of insane. To actually play with real jazz musicians is a different level of musicianship that almost has no equal in any other form of music in the world.
Both my parents were agnostic. My mother was kind of a Buddhist. She had some spiritual tendencies, but they were kind of flaky - New Agey, you know? Which is partly why I'm suspicious of that sort of thing. I'm skeptical of any spiritual practice that doesn't involve other people and doesn't involve some sort of consistent tradition.
When you are what we call a 'minority writer,' a writer of color, a writer of any kind of difference, there is some kind of presumption of autobiography in everything you produce. And I find that really maddening, and I resist that.
Maybe bitcoin is a kind of a bubble. I don't like it. I'm not comfortable with it. I'm kind of an old dog to be absorbing that kind of a new trick.
to look back on one's life is to experience the capriciousness of memory. ... the past is not static. It can be relived only in memory, and memory is a device for forgetting as well as remembering. It, too, is not immutable. It rediscovers, reinvents, reorganizes. Like a passage of prose it can be revised and repunctuated. To that extent, every autobiography is a work of fiction and every work of fiction an autobiography.
Generally the impulse to find justice through punitive measures can be a kind of quicksand. What James Whitman, the scholar I cite in the chapter of my book, talks about as an urge to level down, I think you see that everywhere. We're going to be a punitive society, so we might as well level out that punitiveness. Bankers and college swim stars and everyone face that same kind of wrath.
I kind of limp along like so many of us do in these realms. Occasionally I've felt the grace of another presence in my life. But I can't develop any kind of spiritual structure on that.
Society is immoral and immortal; it can afford to commit any kind of folly, and indulge in any sort of vice; it cannot be killed, and the fragments that survive can always laugh at the dead.
I was kind of relieved with the way the book [The Proud Highway] came out. It's beyond an autobiography or a biography. I never knew what was going to come up next.
The idea is that there is a kind of memory in nature. Each kind of thing has a collective memory. So, take a squirrel living in New York now. That squirrel is being influenced by all past squirrels.
You have this mounting aggressive ignorance with the rabbit's foot of their particular religion. You don't really have any kind of spiritual law, just a kind of a rabid mental illness. The songs are a little slice of life.
Whether you're aware of it or not, any kind of collage idea becomes a part of how you see the world once you incorporate media and internet and video games and all these things.
I feel like if you know any women who's an essayist or a writer or a public speaker or just a public person, and they have any presence at all in any kind of social media, or any place where men can voice at them, you have to be pretty amazed at the level of special provocation and sort of violent speech and misogyny that comes at them. Any woman that's really in the public sphere has experienced this. It's kind of shocking how universal it is.
As a band, we just don't tolerate any kind of abuse or intolerance of any kind of LGBT people by any kind of government.
This site uses cookies to ensure you get the best experience. More info...
Got it!