A Quote by Jonathan Rosenbaum
Since many people have been asking me to elaborate on why I think "Inglourious Basterds" is akin to Holocaust denial, I'll try to explain what I mean as succinctly as possible, by paraphrasing Roland Barthes: anything that makes Fascism unreal is wrong. For me, "Inglourious Basterds" makes the Holocaust harder, not easier to grasp -- as a historical reality, I mean, not as a movie convention. Insofar as it becomes a movie convention, it loses its historical reality.
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For me, it was a lot of pressure to make another movie after 'Inglourious Basterds' because I didn't want to do something wrong. I wanted to have a beautiful project for another American movie.
Even Christoph Waltz's character, Colonel Landa in 'Inglourious Basterds', I never judged him.
When I was filming the death scene [in Inglourious Basterds], and I'm killing somebody, I had to work myself up.
Energetic, inventive, swaggering fun, Quentin Tarantino's Inglourious Basterds is a consummate Hollywood entertainment--rich in fantasy and blithely amoral.
I was massively jealous but also excited when Tarantino did Inglourious Basterds, I'm a huge guys on a mission fan. Those kind of movies.
I watched war films so that I have an understanding of what has already been done and what I could do in 'Paltan.' I watched films like 'Atonement,' 'Schindler's List,' 'Inglourious Basterds,' 'The Reader,' 'Downfall,' 'Saving Private Ryan,' 'Katyn,' 'Enemy at the Gates' and many more. I hope it all reflects in my performance in the film.
Whatever's going on with me at the time of writing is going to find its way into the piece. If that doesn't happen, then what the hell am I doing? So if I'm writing 'Inglourious Basterds,' and I'm in love with a girl and we break up, that's going to find its way into the piece.
I was writing a film criticism book on Sergio Corbucci, the director who did the original Django. So, I was kind of getting immersed in his world. Towards the end of the Inglourious Basterds press tour I was in Japan. Spaghetti Westerns are really popular there, so I picked up a bunch of soundtracks and spent my day off listening to all these scores. And all of a sudden the opening scene just came to me.
Sweet exists by convention, bitter by convention, color by convention; but in reality atoms and the void alone exist
I think this was as good a Democratic Convention [ this was my 24th convention] as I have seen since the 1976 convention, which nominated Jimmy Carter.I just thought it was a spectacularly successful convention. I don't think Hillary Clinton's speech was spectacular, but I don't think she's a spectacular speaker.
Democritus sometimes does away with what appears to the senses, and says that none of these appears according to truth but only according to opinion: the truth in real things is that there are atoms and void. 'By convention sweet', he says, 'by convention bitter, by convention hot, by convention cold, by convention colour: but in reality atoms and void.'
When I did Mira Nair's film on AIDS, people told me to stay away from it and even asked me reasons why I chose to do a film on the stigma. My reason for choosing the movie is similar. It is a social reality and there is no harm being a part of a movie like this as it really dissects the reality of the crisis.
Most people look at a feature film and say, "It's just a movie." For me there is no border or wall between fiction and documentary filmmaking. In documentaries, you have to deal with real people and their real feelings - you are working with real laughter, happiness, sadness. To try to reflect the reality is not the same as reality itself. That's why I think that making a good documentary is much harder than making a good feature film.
By convention sweet is sweet, by convention bitter is bitter, by convention hot is hot, by convention cold is cold, by convention color is color. But in reality there are atoms and the void. That is, the objects of sense are supposed to be real and it is customary to regard them as such, but in truth they are not. Only the atoms and the void are real.
The Human Rights Convention was written by Conservatives in the aftermath of the Second World War. It was designed to combat the risk of another Holocaust, and to try to stop people being sent to prison camps without trial.
'By convention there is color, by convention sweetness, by convention bitterness, but in reality there are atoms and the void,' announced Democritus. The universe consists only of atoms and the void; all else is opinion and illusion. If the soul exists, it also consists of atoms.
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