A Quote by Jonathan Ross

Fortunately, this is not something that we see a lot of. Very rarely do you see a dog in this terrible shape from starvation. People just aren't that cruel. — © Jonathan Ross
Fortunately, this is not something that we see a lot of. Very rarely do you see a dog in this terrible shape from starvation. People just aren't that cruel.
I think a lot of women who are celebrities and who are very beautiful have terrible problems with their men being very controlling. Women allow themselves to be dominated and controlled by men in all sorts of other ways that are very complicated, you know? I don't really see a lot of women engaging in discussions about the struggles and power relations with men and their lives, like their bosses, boyfriends, husbands, coworkers. I don't see that happening very often, whereas I see a lot of misogyny on the internet. I see a lot of hatred towards women and a lot of fear of women.
I was told that [Japan journalists] wanted to see my dog, Yume. You can see that she is in great shape.
I have a lot of trouble understanding how people see me as a celebrity. I work 14 hours a day, and then I just want to talk to my family, see the people I love, pet my dog, and go to bed. I'm not looking to be best friends with or emulate a celebrity.
Zest. Gusto. How rarely one hears these words used. How rarely do we see people living, or for that matter, creating, by them. Yet if I were asked to name the most important items in a writer's make-up, the things that shape his material and rush him along the road he wants to go. I would only warn him to look to his zest, see to his gusto.
I can't stand cruel people. And if I see people doing something mean to somebody else just to make themselves feel important, it really gets me mad.
Every now and then I get angry, but fortunately, when I do, it's like watching a little dog try to attack something - it's something I'm not very good at.
A marriage is a private thing. It has its own wild laws, and secret histories, and savage acts, and what passes between married people is incomprehensible to outsiders. We look terrible to you, and severe, and you see our blood flying, but what we carry between us is hard-won, and we made it just as we wished it to be, just the color, just the shape.
Just from my own experience, a lot of the comedians I used to work with were miserable in their actual lives. I think you need to be able to see a lot of negative in things in order to extract material, so there's probably something to that. A lot of the people I used to work with were very, very, very unfunny offstage, so that's a pretty common thing.
I go to see maybe seven films a year at the most, and since I only go to see the best, it follows that I very rarely see my own.
I can see that I give my audience something. I can see it in their eyes, and they say 'Thank you' a lot. You realize you are doing something that means something to people.
When you look at men's fashion magazines, you see a lot of well-groomed guys in suits, but very rarely do you see a lot of guys in drop-crotch and hoods with high-tops. It's coming, though, because guys in suits and short hair are beginning to look like they're from another time.
Very rarely are you going to see the large shareholder or CEO of a corporation march into a newsroom and say, "Cover this story, don't cover that." It's a much more subtle process. The professional code adapts, but what we try to see, is how commercial and corporate pressure shape both the professional code and the sorts of things that are considered legitimate journalism and illegitimate journalism.
I don't know, it's dorky. Just like quotes and stuff. Something I want to see everyday or something I want to be there. I don't know. I can put a hole in the wall if I want. It's mine. It's very simple. It's a very tiny house, but I can do whatever I want to. I can rip up the terrible vinyl floor and recycle it. Just create a good space. A quiet place to be.
I think you need to be able to see a lot of negative in things in order to extract material, so there's probably something to that. A lot of the people I used to work with were very, very, very unfunny offstage, so that's a pretty common thing.
I always like to say, I am to most phenomenal thing that touched men kind...lol, lol. Yeeaa Men.. Besides that, I don't eat a lot; I don't eat a lot of carbohydrates. I am just naturally big like this, that's all. That's just something I do, if people see me on stage they are always like "man, that dude is huge". I mean I am in a good shape, I don't drink or smoke, so there are a lot of things I don't do.
I very rarely laugh. I remember I used to have a joy at comedy. I remember going to see Sean Lock for the first time live, just in some comedy club when I was 18, and again, just guttural, pure laughter. I didn't know what he was doing; I couldn't see the tricks.
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