A Quote by Jonathan Safran Foer
I desperately wish I had my tambourine with me now, because even after everything I'm still wearing heavy boots, and sometimes it helps to play a good beat
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How had I managed to tie my boots? I didn’t even remember getting dressed. I was out here in public at the mall. What was I wearing? Jeans. I could feel socks. I had my boots on. I plucked at the edge of my t-shirt and saw it was red. I was wearing Dad’s spare Army jacket, and there was a heavy weight in the right pocket that had to be something deadly.
Back in my time, and I sound old now, it was black and white boots and that was it. Now you've got snoods, people wearing headphones when they are doing interviews, which I find disrespectful, pink boots, green boots, you name it they've got it, tights - they'll be wearing skirts next.
A lot of people are like, "Oh, it's so much easier to be a supermodel now because you have Instagram. You don't even need an agency anymore." But that's just not true. I still had to go to all the castings, I still had to go meet all the photographers, I still had to do all of that to get to where I am now. There wasn't a step taken out just because I had social media. I still have 12-hour days, I still have even 24-hour days sometimes; I still have to do all those things. We don't work any less hard than the '90s models did when they were young.
The general public, they get bored. There's no interest because they think, or they know, Demetrious Johnson will always win. And I've always said, even after that loss to Demetrious Johnson, even after he beat me, I said I felt him a little bit. I still believe I can beat him, even after being knocked down the first round.
Even now, sometimes on street corners... when I meet someone, I see your shadow. I'm sure that even now, you're still wearing that man's cologne... so you can sleep, even alone.
I shook my tambourine the whole time, because it helped me remember that even though I was going through different neighborhoods, I was still me.
I've had to change careers several times. Sometimes because my interests changed. Sometimes because all bridges have been burned beyond recognition, sometimes because I desperately needed money. And sometimes just because I hated everyone in my old career or they hated me.
I only have two kinds of dreams: the bad and the terrible. Bad dreams I can cope with. They're just nightmares, and the end eventually. I wake up. The terrible dreams are the good dreams. In my terrible dreams, everything is fine. I am still with the company. I still look like me. None of the last five years ever happened. Sometimes I'm married. Once I even had kids. I even knew their names. Everything's wonderful and normal and fine. And then I wake up, and I'm still me. And I'm still here. And that is truly terrible.
I have white hair now, but a lot of it, and I'm still very glamorous, and so I won't disappoint, I hope! I'll still be wearing the tight leather trousers and high-heel boots, regardless of what age!
For us as writers, it's really important to have songs we believe in - even before sometimes we shoot a scene. If we have a song that's so perfectly designed for a scene on 'Rescue Me,' we'll play it on loud speakers during the shooting. It helps the cameraman and it helps the director, and it helps the actors know what the feel is.
Not long ago, every time I did a picture shoot for a magazine, the photographer would ask me to show up wearing jeans and cowboy boots. They seemed to think I was a hillbilly. Now it's different. Now they're not quite sure what to make of me. And I show up wearing whatever I want.
When it comes to certain kind of rhythm things, particularly like shaker or tambourine tracks. I like the way I can really lock up with my own Hi Hat or Ride Cymbal beat. So a lot of times in recording I'll be asked -- or even volunteer -- to put a shaker or tambourine track on. Just to give it something extra. And it always works great. I hate it when I'm in the studio and I don't have any shakers or tambourines with me. I've been on a few dates when we didn't have anything and tried to improvise shakers out of some uncooked rice in soda cans. It sounded horrible.
In football, you can't always play well, and sometimes there will be criticism. Sometimes when I get a lot, it helps me. It makes me work even harder to improve and make the critics a little more positive.
When you play against top players, sometimes you can play - you can play your utmost and you still get beat.
I think that sometimes people fear continuity because it can turn into repetition - and there's a lot of artists who are really good at creating something new all the time. But for me it's about the consistency in my story. Because after all, I'm the protagonist in everything. All the songs are about my life so naturally there will be some connection because I'm still the same person I've always been.
It never mattered to me that people in school didn't think that country music was cool, and they made fun of me for it - though it did matter to me that I was not wearing the clothes that everybody was wearing at that moment. But at some point, I was just like, 'I like wearing sundresses and cowboy boots.'
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