A Quote by Jonathan Safran Foer

Sometimes I can feel my bones straining under the weight of all the lives I'm not living. — © Jonathan Safran Foer
Sometimes I can feel my bones straining under the weight of all the lives I'm not living.
Sometimes I can hear my bones straining under the weight of all the lives I'm not living.
You know how sometimes you hear a chord played on an organ and you can feel it vibrating in your bones? Sometimes when I'm writing, I can feel my bones vibrating because I'll have a thought or I'll have a character's voice in my head, and that's when I know I'm on the right track.
I was 85 lbs. at my 2000 homecoming dance. But I wanted my collarbones and hip bones to show more. I'd feel my hip bones to make sure they were out. If not, I had more weight to lose. I lost my period until I was 17. I loved that. It meant I wasn't healthy, and I didn't want to be healthy.
Sometimes you do absolutely know there's something there. You feel it in your bones. I actually literally feel it on my skin sometimes. I do get goosebumps. There are times when you go oh God, that works that moment! But you find you take it apart again.
My working method has more often than not involved the subtraction of weight. I have tried to remove weight, sometimes from people, sometimes from heavenly bodies, sometimes from cities; above all I have tried to remove weight from the structure of stories and from language. . . . Maybe I was only then becoming aware of the weight, the inertia, the opacity of the world--qualities that stick to the writing from the start, unless one finds some way of evading them.
There are the stars--doing their old, old crisscross journeys in the sky. Scholars haven't settled the matter yet, but they seem to think there are no living beings out there. Just chalk... or fire. Only this one is straining away, straining away all the time to make something of itself. Strain's so bad that every sixteen hours everybody lies down and gets a rest.
I just know there's an albino living in the colored quarters. I can feel it in my bones.
It is only the fools who keep straining at high C all their lives.
Sometimes you even start to sound like the character because you're living and breathing them every day on the set. It gets into your bones.
I have tried to remove weight, sometimes from people, sometimes from heavenly bodies, sometimes from cities; above all I have tried to remove weight from the structure of stories and from language.
I feel the weight of just telling the truth. There really is no weight to telling the truth. It's a little scary sometimes, but if you tell the truth, you don't have to be looking over your shoulder.
sometimes there are reasons for our fears that we can’t quite explain. Sometimes it’s just something we feel in our bones, something we know to be true, but would sound foolish to anyone else.
Sometimes you even start to sound like the character, because you're living and breathing them every day on the set. It gets into your bones, it becomes a part of you.
Sometimes I worry more about losing weight than gaining weight, because this is how people know and accept me. I do feel like if I wanted to get in better shape, there might be a backlash of, Why isn't she comfortable with herself anymore? So I try to figure out what my own goals are.
I guess when you're carrying a film, you feel the weight of that because you're there every day, and you feel the weight of your character that way.
Reinforced concrete buildings are by nature skeletal buildings. No noodles nor armoured turrets. A construction of girders that carry the weight, and walls that carry no weight. That is to say, buildings consisting of skin and bones.
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