A Quote by Jonathan Winters

You've got to be an observer. And you've got to take time to listen to people, talk, to watch what they do. — © Jonathan Winters
You've got to be an observer. And you've got to take time to listen to people, talk, to watch what they do.
The best thing anybody ever told me about acting - and I think it's probably true for life, generally - is listen. You've really got to watch, and you've really got to listen. Not see and hear.
The most important thing in all human relationships is conversation, but people don’t talk anymore, they don’t sit down to talk and listen. They go to the theater, the cinema, watch television, listen to the radio, read books, but they almost never talk. If we want to change the world, we have to go back to a time when warriors would gather around a fire and tell stories.
I really do want people to listen to the music more than watch what I wear. There's time for that later. I've got the rest of my life to dress up and look nice.
There's a time when the operation of the machine becomes so odious, makes you so sick at heart, that you can't take part; you can't even tacitly take part. And you've got to put your bodies upon the gears and upon the wheels, upon all the apparatus and you've got to make it stop. And you've got to indicate to the people who run it, to the people who own it, that unless you're free, the machine will be prevented from working at all.
You've just got to listen to what experienced people are telling you. You've obviously got to listen to what they want you to do in training and in matches and commit to improving every aspect of your game.
I'm an observer of life. I like to watch people, and I like to watch cactus. I like to talk to mountains and communicate with my friends in the other spheres and dimensions.
Doing a concert, I look at a room full of different people, and I see you've got Muslims, you've got Jews, you've got Christians, you've got gays, you've got straights, you've got blacks, you've got whites. I think, 'How can I unite these people through song?'
You really got people that you got to talk to every day, you got teams that you gotta work with every day. You lose track of... not real life, but the people that really love you. It becomes a distanced thing because you give that job all of your time.
The playwright, along with any writer, composer, painter in this society, has got to have a terribly private view of his own value, of his own work. He's got to listen to his own voice primarily. He's got to watch out for fads, for what might be called the critical aesthetics.
I like Young Thug. A lot of people might think I don't like Thug. I listen to Thug more than I listen to a lot of them. You got to listen to the music and absorb it. Some people might see him on the centerfold or something and just automatically judge him. You got to listen.
I've got a pen, and I've got a phone, and I can use that pen to sign executive orders and take executive action. I've got a pen to talk executive actions where congress won't. Where congress isn't acting, I'll act on my own. I have got a pen and I got a phone. And that is all I need.
I really like to take the time to build things slowly and surely - to get more grounded. But it never felt for certain, like, "One day people will listen to me!" It was more like, "Perhaps I've got something to say." So it feels fantastic. It's good to take the time to think, to find, to search.
After the first time I got traded - I was in the bullpen warming up for a game in Double A, and I got called back in and got traded - that was probably the, like, most crazy it could be. And once I got traded, the next time it got a little easier, and I got traded the next time - it's just part of it.
You've got to get out and talk to voters, and you've got to let them know who you are. Talk with them, listen to them, and let them know how you're going to fight for them.
I've got to challenge myself more, and not listen to anybody else, and not listen to any media or bloggers, but just listen to myself. I've got to push myself. If I don't believe I'm growing, and I believe I'm just coasting, then I've got to get off the train. If I feel I'm growing, I have to keep going. It's a long marathon.
I was a big fan of 'Six Feet Under.' So, I got a bootleg copy of the first four episodes on videotape, watched them and was instantly into it. During the first episode, I was like, 'Eh.' By the time I got to the second one, I couldn't watch them fast enough. I got on the phone that night, called Time Warner cable and ordered HBO right then.
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