A Quote by Jonny Greenwood

I've seen 13, 14-year-olds opening CDs as though they're records from the 1920s, going 'Look at this - there's a little book!'... That makes me think the format has probably had its day.
Everyone wants something that'll appeal to, like, 13-year-olds to 18-year-olds. Especially working in television and trying to pitch shows, they're like, 'We definitely want something that a 14-year-old will be, like, super-psyched about.' And I'm like, 'I don't know if my reality is appealing to a 14-year-old.'
I was this big, heavy kid - nobody was at my weight at that age, so I had to fight 12-year-olds, 13-year-olds when I was seven years old. And what do you know, I was beating them.
Childhood in large parts of modern Britain, at any rate, has been replaced by premature adulthood, or rather adolescence. Children grow up very fast but not very far. That is why it is possible for 14 year olds now to establish friendships with 26 year olds - because they know by the age of 14 all they are ever going to know.
Usually for a movie, if you want a 13-year-old, you get a 16-year-old who looks 13, because 13-year-olds dont have that level of self-awareness.
My highest compliment is when someone comes up to me to say, "My 14-year-old daughter, or my 12-year-old son read your book and loved it." I cannot conceive of a greater compliment than that - to write something that as an adult I find satisfying, but also that manages to reach a curious 13- or 14-year-old.
I don't think it's fair to 12-, 13- and 14-year-olds to say 'Show us you're a winner right now!' Winning isn't everything. I'll never buy that thing that if a boy loses a football game, he's a loser in life.
It is impossible to maintain civilization with 12-year-olds having babies, with 15-year-olds killing each other, with 17-year-olds dying of AIDS and with 18-year-olds getting diplomas they can't even read.
There should be a certification process to suggest if a particular film is suitable for 12-year-olds, 15-year-olds or 18-year-olds. The same thing I think applies for the Internet.
All my career I have done that, worked with talents, improving 19-year-olds, 20-year-olds, 17-year-olds, 18-year-olds.
You just want to find a story that grabs you and that you've never seen before, but somehow you can't imagine it not existing. It's like a good book. What makes a good book is hard to say. I don't know. I just look for something that grabs me. I don't have a way of looking for a project, and I don't know many people that do. It's just year to year, and what's going around and what's there.
I've always bought CDs and even when I was young and at primary school I had a massive collection of CDs. I just like the excitement of opening it, reading the book, learning all the words and things like that. Hopefully I'll always be like that.
With 'Stardust', I hope what I was doing is giving 30-year-olds and 40-year-olds and 25-year-olds and 60-year-olds a chance to get the same sense of wonder, the same feeling, the same magic, that they got in reading the classic fairy tales as children.
I wanted to put a really good kids' racing bike out there for kids under 14: 10-year-olds, eight-year-olds, right down to balance bikes for kids.
I don't want the 35-year-olds in my audience to think of me as as 'pops' giving the kind of advice that only 65-year-olds can understand.
One-year-olds learn concealment. Five-year-olds lie outright: they manipulate via flattery. Nine-year-olds - masters of the cover-up. By the time you enter college, you're going to lie to your mom in one out of every five interactions.
A lot of people say writers start losing their powers after 60 or 65. But I look at the best-seller list and see a book by that 14-year-old gymnast, Dominique Moceanu, and I think, 'Now, what's she going to tell the world? And these 25-year-old rock stars, what are they going to tell the world?'
This site uses cookies to ensure you get the best experience. More info...
Got it!