A Quote by Johnny Depp
It's very, very important to me, no matter who the person is, to play that person with the utmost degree of truth that I'm able to bring. But playing a character like Jack Sparrow or Willy Wonka, that requires nothing but a degree of responsibility to the intent of the story - responsibility to the film-maker to deliver the goods.
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Right now it feels like we're playing a role, like me and a couple of my friends, in where popular culture is going. That's a very rare thing in a person's life to be able to be a part of that. It's a responsibility I take seriously.
For me, the political part of being an actor is very tough. To sit somewhere and tell somebody why you should feel this way or that way about my character does not feel like my responsibility. It feels like the responsibility of the writer and the person who created it.
I'm buying things for people I don't even know. I'm like Willy Wonka, but more manipulative. Imagine if Willy Wonka had a devious goal.
Many people believe that dealing with overweight and obesity is a personal responsibility. To some degree they are right, but it is also a community responsibility. When there are no safe, accessible places for children to play or adults to walk, jog, or ride a bike, that is a community responsibility.
I think I have a responsibility as a film-maker to bring not only controversial subject matter to the screen but also to inspire a thought process.
I love playing real people. It's a huge challenge and responsibility which I take on board and which I relish. It also scares me to death. Give me a totally fictional character and I don't have the same sort of responsibility. If, though, I play Sigmund Freud or Robert Maxwell or whoever then there is a responsibility.
When you play a non-fiction character it is more responsibility than when you are playing a fiction character because that person lived, and you do want to pay respect to that.
People of this teenager's age are on the brink of adulthood and have to be allowed a greater degree of responsibility. A consequence of this is a decrease in parental responsibility. Therefore to have criminal responsibility for what you don't know about seems rather extreme.
One of the earliest memories I have of feeling the power of film music was watching Willy Wonka & the Chocolate Factory. That was a really clear epiphany for me, when I realized that each film has its own music, and that there was someone out there who wrote this very specific music for just this one film.
When you're playing a real person there's a balance between playing the person in the script and playing the person as he was in life. You have to be respectful and true to who that person was, but at the same time tell the story in the film.
When you're playing a real person, there's a balance between playing the person in the script and playing the person as he was in life. You have to be respectful and true to who that person was, but at the same time tell the story in the film.
When a man ends up in the White House who boasts about not having a clue and who says that specialist knowledge is elite nonsense, then a critical point has been reached. Then you will have an obviously irresponsible man sitting in a position that requires the utmost degree of responsibility.
When you play a real person, you feel a sense of responsibility that obviously you don't feel when you're playing a fictional character.
[on playing Walter] It was wonderful to be able to play a character who had so many colors and who was able to play comedy, to play incredibly vulnerable, which he did a lot of the time, to play the love story, and to play the relationship with the son, which is quite unusual. That's a gift to me, as an actor. It was like everything you could possibly hope for, over five years. So, I was a very lucky actor.
A character does seem to have a life of its own, but I have what I'd describe as a very fluid relationship with them - as I'm thinking of what they will be like, they shift in and out of focus - they are a projection of some idea inside of me, even if a character is inspired by an actual person, I'm well aware that it is not that person. My job is to identify the essence of the character, and to bring them to life long enough to commit the acts, say the words or simply "be" in a way that allows them to affect and be affected by other elements and events in the imaginary world of a story.
Seeing, say, 'My Left Foot,' and 'The Last of the Mohicans.' How is that the same person? Or people like Johnny Depp, who can play Jack Sparrow and Edward Scissorhands. I am so interested in the transformation, in not knowing anything about them and watching somebody create a character. I'm not really interested in personalities.
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