A Quote by Johnny Cash

We [with Rick Rubin] would focus on the ones that we did like, that felt right and sounded right. And if I didn't like the performance on that song, I would keep trying it and do take after take until it felt comfortable with me and felt that it was coming out of me and my guitar and my voice as one, that it was right for my soul.
I understood that there would be some backlash, and that scared me, honestly. But deep down, I felt like it was the right thing to do. And if I was to run away from what I felt in my soul was the right thing to do, that would make me a coward. I can’t live with that. God wouldn’t be able to put me where I am today, and as far as I’ve come in life, if I was a coward.
I encountered producers who wanted to hang out after we worked, and when I refused, they wouldn't let me come back and work again... I would've have way more opportunities if I had succumbed. But it never felt right. I always felt like I was going to be successful, and I didn't want to compromise my morals.
I felt like I was a writer, and I just thought filmmaking was the best way for me to express that, because it allows me to embrace the visual world that I love. It's allows me to interact with people, to be more social than fiction or poetry, and it felt like the right way for me to tell the stories that felt pressing to me.
Rick Rubin had his hair - I don't think it's ever been cut and very - dresses like a hobo, usually - clean but . Was the kind of guy I really felt comfortable with, actually. I think I was more comfortable with him than I would have been with a producer with a suit on.
I get that some people just want to do work and keep their lives private. I think for me, it just felt like I needed to be open about who I am. It just felt like the right thing for me to do.
There was a little part of me that always felt like I was going to be an actress, but I never acted when I was growing up. I was a dancer. That's all I did, all day, all my life. Maybe this was just where I was meant to be, and somehow I ended up here, but it just felt right. As soon as I started acting, it just felt like it was meant to be.
I don't know that I would say I've felt like a 58-year-old, but I've never felt exactly my age, or in the right place.
Some people warned me against getting married soon. They said your career will end if you do. I felt I wanted to marry Siddharth (Roy Kapur) and I went ahead and married him. And I guess he felt like he wanted to marry me, so we are married today. If I hadn’t felt it for the next ten years probably I wouldn’t have got married. There is no right time. There’s never a right time.
I guess my mom raised me right. She was very celebratory of her body. I never heard her once say, "I feel fat." Back when I was modeling, the first time I went to Italy I was having cappuccinos every day, and I gained 15 pounds. And I felt gorgeous! I would take my clothes off in front of the mirror and be like, "Oh, I look like a woman." And I felt beautiful, and I never tried to lose it, 'cause I loved it.
In coming to Atlantic City, we believed strongly that we were right. In fact, it was just right for us to come to challenge the seating of the regular Democratic Party from Mississippi. But we didn't think when we got there that we would meet people, that actually the other leaders of the Movement would differ with what we felt was right.
Someone once pulled me aside and said it was all right to succeed, and I realised that I knew what failure felt like, but I didn't know what success felt like. I've carried that with me ever since.
At school, I felt out of place. I was bullied. I would think, 'These kids don't like me, they don't accept me,' but I felt like in the entertainment industry, I would fit in.
There's a part of me that never felt my mother abandoned me. I always felt that she did the right thing.
I was able to go on stage and work until it felt right or felt good. It meant that I very quickly realised that it was the job for me.
The part that I felt most comfortable with going in was just working with actors and trying to make them feel comfortable and safe so they could find the performance. That part felt organic to me.
I had just finished a run of shows in the States and went to NY to work with BenZel for a couple weeks, mainly as a different focus to touring. I didn't have any expectations or pressures with what would come out of those two weeks, and think 'Tough Love' sums this up. It was me experimenting with my voice and having fun with it. It just felt right and kind of dictated the route of the next album, much like 'Devotion' did on my first album
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