A Quote by Johnny Knoxville
People try to challenge me in bars every now and then. As long as they're not physical I just walk away, but if they get physical then I just end up in a fight.
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I just love any kind of language that can change the energy in a room. There are no limits for me, as long as it feels like it's being used in a particular way to garner or elicit a very particular reaction, so that you can then use that reaction later for something else. But when it's gratuitous language or physical exposure, then I get a bit like, "Oh! Put it away!"
I'm just a physical player and I just try to make physical plays and just plays period for my team and do things that they need me to do to help them win.
I feel it is important not to get overly obsessed and overly carried away with just the physical aspect. There is more to beauty than just the physical appearance. You are also a complete person, and a woman should have an identity beyond just the way she looks.
I was like just writing and writing and then I kinda developed my sound. And then, my managers were like, "Okay, we're gonna try to get a deal." And then first it was Interscope, and then it was Atlantic. And then, I ended up signing with Atlantic, but it was like a long process, a really long... it was A LONG PROCESS. I feel like it took me two years to do it.
I love when people try to be physical with me. They think that's the way to try to guard me and to get physical with me. I use that to my advantage.
You see, Momo... it's like this. Sometimes, when you've a very long street ahead of you, you think how terribly long it is and feel sure you'll never get it swept... And then you hurry. You work faster and faster, and every time you look up there seems to be just as much to sweep as before, and you try even harder…, and you panic, and in the end you're out of breath and have to stop-and still the street stretches away in from of you.
There are people who travel because they want to push themselves to physical limits, people who walk across deserts or cycle across the Antarctic - like Ranulph Fiennes, who just does it because it's there. And then there are people like me, who are just genuinely curious about the world.
When something goes wrong with the body of energy that surrounds and protects your physical body, it will later show up in your physical body. The problem always starts in the subtle physical, and then manifests in the physical.
I love saying dialogue and creating a full character more than just being physical. But I always end up doing physical stuff in my roles.
I didn’t get her cutting at all. She’d done it sporadically, ever since the accident and it scared me each time. She'd try to explain it to me, how she didn't want to die—she just needed to get it out somehow. She felt so much emotionally, she would say, that a physical outlet—physical pain—was the only way to make the internal pain go away. It was the only way she could control it.
Even when I'm just sitting at my desk, I have to get up every twenty minutes or so and walk around, walk around, walk around, and then I can go back to the page. I can't just sit there for hours at a time. Language comes out of the body as much as the mind.
It's important for me not to peak before I hit the stage. In other words, I save all of my creative and physical energy for when I walk on stage. If I can get 45 minutes of just easy going, playing rhythm, songs, stuff like that, then that's what I do to make sure that I'm all stretched out and ready.
You have to eat, all day, and you have to have the right fuel to get you through different physical and mental obstacles that fighters have to get through. Just dealing with the diet alone becomes an all-encompassing, fully immersive experience. And then, there's the physical side of it, having to put your body through everything required to make you look like a fighter.
I got good at trying to throw a voice on a character from the very beginning as opposed to like reading it and sitting with it and mulling over it and stuff like that just try to read what it is and then try to put a funny voice to it like as soon as possible and stuff like that. Once you get laughs with your voice then you can start thinking about, you know the physical characteristics and how they might walk or if they stick out their buck teeth or if they wear an afro and stuff like that. I think like finding the voice of the character helps to like build the wardrobe and everything else.
I'm just a very impatient person. It's always something that I'm working on, and just staying interested in the fight game is the biggest challenge for me. As long as I'm interested and I have an incentive to stay interested, then I'm unbeatable.
I would not like to live in the past because you don't get anesthetic when you go to the dentist. You don't get antibiotics. You don't get the things that you are used to now, cell phones and televisions and things that are very convenient. You don't want that. But, it would be fun if you could, every now and then, just meet a friend for lunch at Maxim's in Paris in 1900, or go back to 1870 just for a couple of hours, take a walk in the park, and then come right back to Broadway.
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