A Quote by Johnny Otis

When I got near teen age, I was so happy with my friends and the African American culture that I couldn't imagine not being part of it. — © Johnny Otis
When I got near teen age, I was so happy with my friends and the African American culture that I couldn't imagine not being part of it.
People take pride in being Irish-American and Italian-American. They have a particular culture that infuses the whole culture and makes it richer and more interesting. I think if we can expand that attitude to embrace African-Americans and Latino-Americans and Asian-Americans, then we will be in a position where all our kids can feel comfortable with the worlds they are coming out of, knowing they are part of something larger.
Sometimes, I feel like I spent the first part of my life wishing to be a teen-age boy, and the second part condemned to being one.
One of the things that made the Black Muslim movement grow was its emphasis upon things African. This was the secret to the growth of the Black Muslim movement. African blood, African origin, African culture, African ties. And you'd be surprised - we discovered that deep within the subconscious of the black man in this country, he is still more African than he is American.
I just felt being part of my peer group so strongly. I was immersed in teen culture, but not taken in by it.
In American culture at large, but especially in African American culture, it's a sign of weakness to ask for help.
American high school culture was impenetrable to me, and very cliquey: you had the Hispanics, the African Americans, the surfer guys and the goths and the immigrants. The jocks and the surfers got the girls. By the time I'd got to grips with it, I'd graduated.
The acceptance of the facts of African-American history and the African-American historian as a legitimate part of the academic community did not come easily. Slavery ended and left its false images of black people intact.
We must begin to shift the emphasis of teen-age pregnancy to teen-age boys.
I didn't mind being in a school with a small African-American population. The African-American-community was very tight, and that was great. But I also wanted to interact with other types of folks.
For me it's hard, especially being a young African-American woman. My dad doesn't look like what you might call the 'safe' African-American male that America would accept, if you know what I mean.
It's hard being homeless at any age, but at 16 years old? I can't even imagine. When you're a homeless teen, how do you build a future or have any sort of life?
I am fine with my books being categorized as African-American literature but I hope they are also considered Haitian-American literature and American literature. All of these things are part of who I am and what I write.
Sometimes you can't fight change, because you're a part of it, and I feel that in the context of these films that are happening now, there is a kind of change coming in terms of how history is represented on film, and the African, and the African-American and British African experience.
The foreign audiences are somewhat surprised and happy to find an American film that asks questions about American culture. There's a certain kind of cultural imperialism that we practice. Our films penetrate every market in the world. I have seen and have had people reflect to me, maybe not in so many words or specifically, but I get the subtext of it - they're somewhat charmed and surprised and happy to see an American film reflect on our culture. Because they see other cultures reflect on our culture but they don't see US culture reflecting on itself in quite the same way.
When African-American police officers involved in a police action shooting involving an African-American, why would Hillary Clinton accuse that African-American police officer of implicit bias?
The treatment of African and African American culture in our education was no different from their treatment in Tarzan movies.
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