A Quote by George Balanchine

In ballet a complicated story is impossible to tell. We can't dance synonyms. — © George Balanchine
In ballet a complicated story is impossible to tell. We can't dance synonyms.
In ballet a complicated story is impossible to tell... we can't dance synonyms.
If you have to tell a story without speaking, it's sort of like - I come from a dance background, so it's like a ballet where you have to tell a story with just your body. I think that's really interesting to have to tell a story with just your face and your mannerisms, and I'd like to tap into that world.
I know a lot of choreographers prefer to do abstract dance and not be bothered with a story, but even when I'm asked to do classical ballet or a modern piece, I still want to tell a story.
I grew up going to see my sister dance, both at the ballet and later as a modern dancer, and have always been a big fan of the ballet. So I have had a long relationship with dance.
A story must be told in such a way that it constitutes help in itself. My grandfather was lame. Once they asked him to tell a story about his teacher. And he related how the holy Baal Shem used to hop and dance while he prayed. My grandfather rose as he spoke, and he was so swept away by his story that he himself began to hop and dance to show how the master had done. From that hour he was cured of his lameness. That's how to tell a story.
The best time to tell your story is when you have to tell your story. When it's not really a choice. But then, when you get that first, messy, complicated version down, you have to read it over and be very tough on yourself and ask, 'Well what's the story here?' If you're lucky enough to have someone you trust looking over your shoulder, he or she can help you if [you] lack perspective on your own story.
It's nice for me to have a ballet as a kind of platform for creativity, because unlike modern dance or contemporary dance or downtown dance, ballet is formalized, and there's something orthodox about it that I like. I like that there's less emphasis on subversion and innovation. I actually think that my musical vernacular or my musical voice is also less inclined toward innovation and subversion. I think I'm a traditionalist.
I was really creative. I started to dance very young. I loved to dance. I begged my mother to put me into dance classes, and finally, in third grade, she did. Tap and jazz, but not ballet.
Every artist has a central story to tell, and the difficulty, the impossible task, is trying to present that story in pictures
You know, ballet might be too formal of a title for the type of dance I do, but I love to dance.
One of the few things in dance to match the Royal Ballet's curtain calls is the Royal Ballet's dancing.
The ballet needs to tell its own story in such a way it can be received without having to be translated into language.
I realized that one of the differences between news photography and dance photography was that the former has to tell a specific story, whereas all a dance photograph had to be was visually interesting.
I used to dance when I was younger - ballet and modern dance.
My mom was a dance teacher, so she put me in dance school when I was a kid. I did everything. I used to take ballet.
When I was in eighth standard, I have been dancing since then. I love to dance. Dance has been my life all this while. Then I became a dance instructor. I have learnt jazz, hip-hop, ballet and many other forms.
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