A Quote by George Bernard Shaw
What, or who, led you to take up photography, and about what date ?
George Bernard Shaw – I always wanted to draw and paint. I had no literary ambition. I aspired to be a Michelangelo, not a Shakespeare. But I could not draw well enough to satisfy myself; and the instruction I could get was worse than useless. So when dry plates and push buttons came into the market I bought a box camera and began pushing the button. It was in 1898.
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While browsing in a second-hand bookshop one day, George Bernard Shaw was amused to find a copy of one of his own works which he himself had inscribed for a friend: "To ----, with esteem, George Bernard Shaw." He immediately purchased the book and returned it to the friend with a second inscription: "With renewed esteem, George Bernard Shaw.
If Shakespeare and Michelangelo were alive today, and if they decided to collaborate on a comic, Shakespeare would write the script and Michelangelo would draw it. How could anybody say that this wouldn't be as worthwhile an artform as anything on earth?
It was time to expect more of myself. Yet as I thought about happiness, I kept running up against paradoxes. I wanted to change myself but accept myself. I wanted to take myself less seriously -- and also more seriously. I wanted to use my time well, but I also wanted to wander, to play, to read at whim. I wanted to think about myself so I could forget myself. I was always on the edge of agitation; I wanted to let go of envy and anxiety about the future, yet keep my energy and ambition.
When I was a kid, I could draw, and my ambition was to be a cartoonist. I wanted to draw comics. But I also liked newspaper comics.
You know what I am going to say. I love you. What other men may mean when they use that expression, I cannot tell. What I mean is that I am under the influence of some tremendous attraction which I have resisted in vain, and which overmasters me. You could draw me to fire, you could draw me to water, you could draw me to the gallows, you could draw me to any death, you could draw me to anything I have most avoided, you could draw me to any exposure and disgrace. This and the confusion of my thoughts, so that I am fit for nothing, is what I mean by your being the ruin of me.
I knew from the age of five what I wanted to do. The one thing I could do was draw. I couldn't draw that much better than some of the other kids, but I cared more and I wanted it badly.
I did take my camera along, as I felt there wouldn't be enough time to draw the things I wanted to do. I did some drawing and did a lot of photography but I was not part of Stryker's outfit at all.
I've always loved fairy tales. I think they perhaps led me to theater rather than the other way around. As a child I wanted to invent a machine that could record my dreams, so I could watch them in the morning; or hire someone to draw the things I had in my head, because I knew I didn't have the skill to do it myself. Theater is that machine. I can make these images come to life and actually walk around inside them for a while.
I was a child prodigy. Like Michelangelo, who could draw a perfect circle at age five. I was extremely gifted. I could paint a perfect portrait of someone at age five.
When I draw the scene that I'd been dreaming about or had always wanted to draw, that is the time that I'm happiest.
I had wrung impressionism dry and I finally came to the conclusion that I know neither how to paint nor how to draw.
I didn't do so well in the academic world, so I think the only way I could express myself was through visual art - anything I could get my hands on, whether it was glassblowing, sculpture, painting, or photography. I always wanted to be a painter. Or a farmer.
Growing up I couldn't always get involved with the activities with all the other kids because if I overworked my body it would trigger my pain. There were definitely times growing up, where other kids wanted to challenge me; they wanted to see if they could push my buttons and see if I could fight or what have you. Taking my kindness for weakness or taking my quietness and laid-back style for weakness. I've been dealing with that for basically all my life.
I sang barber shop harmony and sort of got into performing. And it just came naturally. Then, when I was in college after the war, I did a play, 'Pygmalion,' by George Bernard Shaw. And from then on, I knew that's what I wanted to do.
There was a great deal of peer recognition to be gained in elementary school by being able to draw well. One girl could draw horses so well, she was looked upon as a kind of sorceress.
I know that one of the things that I really did to push myself was to write more formal poems, so I could feel like I was more of a master of language than I had been before. That was challenging and gratifying in so many ways. Then with these new poems, I've gone back to free verse, because it would be easy to paint myself into a corner with form. I saw myself becoming more opaque with the formal poems than I wanted to be. It took me a long time to work back into free verse again. That was a challenge in itself. You're always having to push yourself.
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