A Quote by George Duke
At the end of '69 I did a gig with Jean Luc Ponty here in L.A. He was an electric violinist.
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I called the great French violinist Jean-Luc Ponty and I said 'So, who's the new cat? Who's got the stuff? And he said Zach Brock.
The great thing about Santa Monica civic auditorium was it was a place you could ride your bike to. In this case, my dad dropped me and my friends off, and we'd go see Ronnie James Dio or Jean-Luc Ponty or Weather Report or the Pretenders.
It's always important to talk about what Jean-Luc did - for him, for me, for everyone.
I was in many of Jean-Luc's movies, but I wasn't in 'Le Mepris.'
I really liked the Jean-Luc Godard movie, 'Film Socialisme.'
I have been a long time fan of Jean-Luc Godard. It's my dream to work with him.
Suddenly I had a call one day saying they'd like me to come to the office to see Jean-Luc Godard. 'He is preparing a film called 'Breathless.' Jean would like to see you.' I said yes. I thought he was pretty strange, because at that time nobody was wearing those kind of glasses where you couldn't see the eyes.
I was lucky enough to meet and marry Jean-Luc who is responsible for any education and culture I have today.
I've always thought - and I don't even know if I'd be right for the part - that Jean Seberg would make a great biopic. She was in Jean-Luc Godard's 'Breathless,' she played Joan of Arc. She had this eventful and traumatic adulthood, she thought the FBI was after her, and she became a darling of the French New Wave.
The invention of gas and electric heaters has not meant the end of fireplaces. Printing did not end penmanship, television did not kill radio, movies did not kill theatre, and home videos did not kill movie theaters, although all these things were falsely predicted.
Someone like Jean-Luc Godard is for me intellectual counterfeit money when compared to a good kung fu film.
It makes no sense to bad mouth people, but I think Jean-Luc Godard is astonishing as a survivalist, somebody who can do a film that is as extraordinary as Goodbye to Language.
Her voice was like a line from an old black-and-white Jean-Luc Godard movie, filtering in just beyond the frame of my consciousness.
I became a better listener than I ever had been as a result of playing Jean Luc Picard because it was one of the things that he does terrifically well.
For me, the existentialists are important critics of 'absolutist' claims, and Heidegger and Merleau-Ponty are, at least in their later writings, also exponents of a doctrine of mystery: Being or the 'well-spring' of everything is, for Heidegger, ineffable, just as what Merleau-Ponty called 'Flesh' is for him.
I have to tell you that we never had any scripts. Jean-Luc never wrote a script in his life. He would write the dialogue that morning before shooting.
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