A Quote by George Lopez
I didn't want to be nobody, and that was the only way I could be somebody was to do stand-up.
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Stand-up was my entree into the entertainment world. I didn't have to act out somebody else's words. I could just stand there with a microphone, and nobody would interrupt me. It's the most narcissistic thing you could probably do.
In stand-up you can go either way. It's live. Somebody might say something in the crowd, you might respond to it. But in a movie you could be spontaneous too. But you pretty much have to stick to that story or that scene or that script, but in stand-up you can go wherever you want to. It's more freedom.
This is a story about four people named Everybody, Somebody, Anybody and Nobody. There was an important job to do and Everybody was asked to do it. Everybody was sure Somebody would do it. Anybody could have done it, but Nobody did it. Somebody got angry because it was Everybody’s job. Everybody thought Anybody would do it, but Nobody realized that Everybody wouldn’t do it. It ended up that Everybody blamed Somebody when Nobody did what Anybody could have done.
And I not only have the right to stand up for myself, but I have the responsibility. I can't ask somebody else to stand up for me if I won't stand up for myself. And once you stand up for yourself, you'd be surprised that people say, "Can I be of help?"
I not only have the right to stand up for myself, but I have the responsibility. I can't ask somebody else to stand up for me if I won't stand up for myself. And once you stand up for yourself, you'd be surprised that people say, "Can I be of help?".
...there's never a garden in all the parish but what there's endless waste in it for want o' somebody as could use everything up. It's what I think to myself sometimes, as there need nobody run short o' victuals if the land was made the most on, and there was never a morsel but what could find it's way to a mouth.
I want somebody to love, and I want somebody to love me. And nobody ever will. And that's why it hurts. Because it makes a difference. And when nobody cares, it makes you all mad inside and it makes you want to say things, tear up things, break things, get through the glass.
I laughed but before I could agree with the hairdressers that she was crazy, she said, 'What's the world for if you can't make it up the way you want it?' " 'The way I want it?' " 'Yeah. The way you want it. Don't you want it to be something more than what it is?' " 'What'st eh point? I can't change it.' " 'That's the point. If you don't, it will change you and it'll be your fault cause you let it. I let it. And messed up my life.' " 'Mess it up how?' " 'Forgot it.' " 'Forgot?' " 'Forgot it was mine. My life. I just ran up and down the streets wishing I was somebody else.
I can do more than just stand-up comedy, and the only way I'll be able to show that is if I do it myself. Because nobody trusts that I can do it.
I always felt I was a nobody, and the only way for me to be somebody was to be - well, somebody else. Which is probably why I wanted to act.
When you're a stand-up, you play in front of 600 people, and it's all about timing. I could never do stand-up comedy; it would be way too hard for me.
The truth is, almost nobody wants to experience real nature. What people want is to spend a week or two in a cabin in the woods, with screens on the windows. They want a simplified life for a while, without all their stuff. Or a nice river rafting trip for a few days, with somebody else doing the cooking. Nobody wants to go back to nature in any real way, and nobody does. It's all talk.
Shooting is a lost art, but nobody wants to see nobody shoot all day. You want to see somebody break somebody off the dribble. That's today game, and that's what I try to do.
Publishers were ever eager for authors to do their own publicity because nobody else was willing to do it for nothing. But then it became clear that if you want somebody to champion the story, there's nobody better than the person who made it all up.
I loved working in stand-up, and I always dreamed that I could make a movie about it. I didn't know if I would have the courage to, because if you make a bad movie about stand-up, then comedians will mock you for the rest of your life. They're still mad about movies made 25 years ago. But it was always a dream of mine, and I was glad I finally came up with an idea that allowed me to explore it in such a way that it's not all about stand-up, but stand-up creates a great backdrop for another type of story.
There's a certain sense of ownership that the fans have over you....The thing is, it's all good. You just have to get used to it. If somebody comes up to you while you're eating dinner or something, it's kind of like, 'Well, I asked for it.' It's much better than the alternative-nobody caring and nobody buying your music. The point is to try to just realize that these people are really excited, and that's a good thing. You want them to be that way.
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