A Quote by George R. R. Martin
The vast majority of writers out there, they finish their books and no one cares whether their book is late or ever comes out at all. And then it comes out and two reviews are published and it sells 12 copies.
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The vast majority of writers out there, they finish their books, and no one cares whether their book is late or ever comes out at all. And then it comes out, and two reviews are published, and it sells 12 copies.
I didn't think [Ella Enchanted] would get published. Everything I'd written till then had been rejected. If it was published, I thought it might sell a few thousand copies and go out of print. I thought if I was lucky I could write more books and get them published, too. I still pinch myself over the way things have worked out.
This book out-lives, out-loves, out-fits, out-lasts, out-reaches, out-runs, and out-ranks all books. This book is faith producing. It is hope awakening. It is death destroying, and those who embrace it find forgiveness of sin.
Book critics certainly are judges who wield a tremendous amount of power in terms of whether or not a book will reach a wider audience. That's one of the reasons why I try to give coverage to books written by Latinx writers; too many worthwhile works of literature do not get the kind of coverage they deserve, and I've certainly seen that with respect to books written by writers of color. But there are some wonderful, diverse writers out there who mentor and otherwise support those voices that often have been ignored by much of the mainstream press.
When 'Watchmen' was published in 1986, the vast majority of comics readers deemed it a watershed in comics history. The 12-part serial comic book was widely acclaimed as a genius subversion of the superhero genre, and it did much to popularize comics to adults.
Books are just dead words on paper and it is the readers who bring the stories alive. Previously, writers wrote a book and sent it out into the world. A couple of months after publication letters from readers might arrive. And, leaving aside the professional reviews, it is really the reader's opinions that the writer needs. They vote for a book - and a writer - with their hard earned cash every time they go into a bookstore (or online - that's my age showing!) and buy a book.
First one gets works of art, then criticism of them, then criticism of the criticism, and, finally, a book on The Literary Situation , a book which tells you all about writers, critics, publishing, paperbacked books, the tendencies of the (literary) time, what sells and how much, what writers wear and drink and want, what their wives wear and drink and want, and so on.
There are a lot of people out there who will write books, in which everything turns out nicely and the bad guys lose, the good guys win, the boy gets the girl and they live happily ever after. There's a million books like that and if that's the comfort you're looking for, you should read those books and not my books because that's not the kind of book that I am interested in.
Every other day I read a book. It takes me two days to finish a book. I like reading because if I'm not doing anything, then I read. If my mom tells me to go take out the trash, I'll go take out the trash, and come back and start reading again.
Commercial books don't even get covered. The reason why so many book reviews go out of business is because they cover a lot of stuff that nobody cares about. Imagine if the movie pages covered none of the big movies and all they covered were movies that you couldn't even find in the theater?
About a year after (my stories began being published), magazine editor George Scithers, suggested to me that since I was so new at being published, I must be very close to what I had to learn to move from fooling around with writing to actually producing professional stories. There are a lot of aspiring writers out there who would like to know just that. Write that book.SFWW-I is that book. It's the book I was looking for when I first started writing fiction.
I get letters from two kinds of readers. History buffs, who love to read history and biography for fun, and then kids who want to be writers but who rarely come out and say so in their letters. You can tell by the questions they ask - How did you get your ?rst book published? How long do you spend on a book? So I guess those are the readers that I'm writing for - kids who enjoy that kind of book, because they're interested in history, in other people's lives, in what has happened in the world. I believe that they're the ones who are going to be the movers and shakers.
Here's the bottom line: I can't play someone if I can't figure out what he cares about. Everybody cares about something, even a rough character. It defines where we step in life. As soon as you find out what somebody cares about, then it all gets real.
Ninety-five percent of all writers who write do not get published, but 100 percent of all writers write because they have a voice in their head. The vast majority of writers simply write because they have to.
Our house was littered with books- in the kitchen, under the beds, stuck between the couch pillows--far too many for her the ever finish. I suppose I thought if my grandmother kept up her interests, she wouldn't die; she'd have to stay around to finish the books she was so fond of. "I've got to get to the bottom of this one," she'd say, as if a book were no different from a pond or a lake. I thought she'd go on reading forever but it didn't work out that way.
My father probably taught me everything I know, aside from dialogue, which I think I get from my mom a lot more. He certainly didn't teach me everything he knew, but you know he has got this book out called "The Spooky Art," which is essentially an advanced book on writing and it's not... You know it's not ABC, but it's for people who feel that bug and know that they're writers and are willing to put in that time alone. Pretty much the vast majority of what he taught me you can find in that book.
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