A Quote by George R. R. Martin

I've been many kinds of writers in my career: novelist; tele-playwright; short story writer. As a high-school student, I wrote amateur pieces for fanzines, and I've written for Hollywood.
I've been wrestling with Kafka since I was an adolescent. I think he's a great aphorist, a great letter writer, a great diarist, a great short story writer, and a great novelist - I'd put novelist last.
I've always loved short stories. Even before I was a writer, I was reading short stories - there were certain writers where I just felt like they could do in a short story what so many writers needed a whole novel to do, and that was really inspiring to me.
I've been a writer longer than I've been an actor. I wrote short stories like crazy when I was in high school and college. I worked in advertising before I moved to L.A. to pursue acting.
In Hollywood, they think they know it all. You, as a writer, are essentially an outsider. Novelists and short-story writers, especially.
I've always loved short stories. Even before I was a writer I was reading short stories - there were certain writers where I just felt like they could do in a short story what so many writers needed a whole novel to do, and that was really inspiring to me. Alice Munro, I felt that way about from an early time. Grace Paley.
I think I succeeded as a writer because I did not come out of an English department. I used to write in the chemistry department. And I wrote some good stuff. If I had been in the English department, the prof would have looked at my short stories, congratulated me on my talent, and then showed me how Joyce or Hemingway handled the same elements of the short story. The prof would have placed me in competition with the greatest writers of all time, and that would have ended my writing career.
I've written about 2,000 short stories; I've only published 300 and I feel I'm still learning. Any man who keeps working is not a failure. He may not be a great writer, but if he applies the old fashioned virtues of hard, constant labor, he'll eventually make some kind of career for himself as a writer. Ray Bradbury, 1967 interview (Doing the Math - that means for every story he sold, he wrote six "un-publishable" ones. Keep typing!)
I never really wanted to be a writer. I know it sounds strange, but I honestly believe that I didn't pick the story; the story has picked me. I've written absolutely no fiction before 'The Immortals of Meluha.' Not even a short story in school - absolutely nothing.
I come from a family of writers. My mom had been a writer, nonfiction books, and her mother was a playwright in the 1930s and '40s. And my twin brother, Alexi, is a writer on 'The Following.'
I really do believe some people are naturally novelists and some people are short story writers. For me, when I was in middle school or high school, I started with novels.
In a rough way the short story writer is to the novelist as a cabinetmaker is to a house carpenter.
I'm a competent novelist. I'm getting better. But I'm a really good short story writer.
I think I would have been a writer, anyhow, in the sense of having written a story every now and then, or continued writing poetry. But it was the war experience and the two novels I wrote about Vietnam that really got me started as a professional writer.
I did take composition lessons when I was in high school, so I wrote piano pieces. I wrote some chamber music. I don't think any of that was particularly interesting.
I guess I would say that most of what I've learned about storytelling derives from novels and short stories. I cannot think of a novel or story, or a novelist or story writer, who thinks in terms of three-act structure.
I wrote a novel in my early twenties; I won a high school prize - my short story got published, and I got 50 dollars, which was a huge deal.
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