A Quote by George R. R. Martin
'Dreamsongs' allows me to show the scope of my writing - with personal commentary that puts the works in context and includes some autobiographical details intended to reveal how each piece came to be, what it represents, and how it has formed, or been informed by, my philosophy of writing.
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I guess I have an aversion to writing about big events and heroic actions. The everyday has always seemed most important to me in writing, probably because I believe people reveal themselves in how they deal with small details.
First of all, all writing includes some part of the self. The relationship of the self and the other exists in writing, whether autobiographical or novel. There is a self and an other.
In fact, writing, especially writing autobiographical works, and this is actually the fourth time I've done it, each time I've done it I've felt deeply immersed in the material as I'm doing it, and then it's over and everything is the same.
I'm one of those few actresses who works all the time, and even though I haven't done a show that literally puts me on some kind of map - as in, that's how I'm known and that's how I'll always be known - I'm very lucky.
A story about my life should not be particularly interesting, but it is: it's just about me and some kids who didn't know how to talk to each other. It's personal but not autobiographical.
My characters, I find them as I'm writing. It's quite incredible how fully realized they are in my mind, how many details I know about each of them.
When I started writing at 18 or 19, I had a fear of anything autobiographical, but I've come to realise that my writing is very autobiographical at the emotional level.
Really unfiltered personal writing is cool to me. I'm like, 'How did you show that to everyone?'
I still don't know how to express the really delicate personal stuff. People think that Plastic Ono is very personal, but there are some subtleties of emotions which I cannot seem to express in pop music, and it frustrates me. Maybe that's why I still search for other ways of expressing myself. Song writing is a limiting experience in some ways - writing down words that have to rhyme.
Every so often, it's time to make a change with a showrunner. You evaluate the creative and how the show is run and how the writing staff works, and sometimes you want to freshen the show. We just decided that it was time to do that on Community, and no disrespect to anyone.
I came out with a book called The True Secret of Writing: Connecting Life with Language. It's a book that describes how writing is a practice and how my teaching is part of that practice. I direct the writing and create books but underneath, there's always the river of practice happening. No good, no bad. Just do it.
Actually, that's one of the things I was thinking about writing a story about me, loosely based or autobiographical. I just don't want to be like some people that are in their twenties and writing autobiographies.
What is useful about when there is a sort of pull-out to reveal moment going on is that it actually focuses the mind when you're writing the earlier scenes because you're thinking 'right, how do I? I can only show this amount of the room... I can only show these characters from the waist up because they've all got robot legs!' it's a challenge so it keeps you engaged on some level.
When things are going well, you do have the sense that what you’re writing is being fed to you in some way. Auden compared writing a poem to cleaning an old piece of slate until the letters appear. The only way you could reveal your god is perhaps under hypnosis. It’s sacred and it’s secret, even to the writer.
People will ask me, "How do you approach writing books for young readers differently than for adults?" My answer is always: I don't change anything about the story itself. I'm going to tell kids the way things really were. What I don't do - and this is the only thing I do differently in writing for kids - is that I don't revel in the gory details. I allow readers to fill in the details as necessary. But I don’t force kids to have to digest something they’re not mature enough or ready for yet. If they are, they can fill in the details even better than I could, just with their imaginations.
I've also been writing with my guitarist, Ted Barnes, and he's amazing. Writing with him has taught me a lot about my own writing process, in the sense that it's incredably personal to write with someone else from scratch.
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