A Quote by George Murray

I was writing notes, but not composing poems. The Hunter began to develop out of this fragmented process. — © George Murray
I was writing notes, but not composing poems. The Hunter began to develop out of this fragmented process.
I was 7 years old when I began composing. I began composing, improvising at the piano, the usual story.
'A Fair Maiden' existed in notes and sketches for perhaps a year. When I traveled, I would take along with me my folder of notes - 'ideas for stories.' Eventually, I began to write it and wrote it fairly swiftly - in perhaps two months of fairly intense writing and rewriting. Most of my time writing is really re-writing.
I was very committed to the process of composing, working at poems, putting things together and taking them apart like some kind of experimental filmmaker.
To me, writing and composing are much more like painting, about colors and brushes; I don't use a computer when I write, and I don't use a piano. I'm at a desk writing, and it's very broad strokes and notes as colors on a palette.
My writing process is chaos. I usually start with an overarching theme. Then I establish several story threads, but I don't outline. I just start writing and keep notes for what may come. It's an organic process that's usually pretty flexible.
My days are filled with work I love - reading poems, writing poems, talking with people about poems, teaching, directing a writing program, hosting readings, etc.
I was in Paris at an English-language bookstore. I picked up a volume of Dickinson's poetry. I came back to my hotel, read 2,000 of her poems and immediately began composing in my head. I wrote down the melodies even before I got to a piano.
The process of writing is a process of learning; and much has become clearer to me in the attempt to transform my original rough notes into what I hope is an intelligible presentation.
Well it is certainly the case that the poems - which were in fact published during Shakespeare's lifetime - are weird if they began or originated in this form, as I think they did, because the poems get out of control.
I began just writing poems and then fell in love with the form.
At a very early age I began to thump on the piano alone, and it was not long before I was able to pick out a few tunes? I also learned the names of the notes in both clefs, but I preferred not be hampered by notes.
I was teaching myself notes from three and then by seven I'd figured out how to play some chords, and at school I used to love writing poems and poetry, so I guess I kind of put two and two together and that formed my songwriting from an early age.
When I am asked how I began writing poems, I talk about the indifference of nature.
I started out writing poems before I figured to put melodies to them and play the guitar. Somewhere, there's a book out there on all those early songs and poems. I hope no one ever finds it. I don't think it's my finest work.
Since age seven, I've been composing and have never stopped composing, yet, the creative process is as elusive to me as it has ever been.
Southern poets are still writing narrative poems, poems in forms, dramatic poems.
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