A Quote by George Newbern
I'm in the mood for 'Shark Tank' sometimes. When I am, my son and I can't stop watching. But I probably watch 'The Bachelor' more, and Scott Foley and I text about it, like, 'Oh my God, did you see that?!' I love it. It's such a train wreck.
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I watch 'The Bachelor'. It's one of those things where I always think if it didn't exist and it was on 'SNL,' we would think it would be a ridiculous, funny idea. But it actually exists... It's a glorious train wreck that I love to watch.
What I've learned from fatherhood is that having a son cannot, did not, change my love for The Bachelor! I thought that having a son would make me grow up when it came to my TV viewing habits, but I love The Bachelor even more after having a child.
'Shark Tank' has been a sincere joy. As our traditional venture-backed companies get bigger, the investing side tends to get more political and complicated. 'Shark Tank' takes me back to my early days working with ambitious founders in their earliest and scrappiest days. The show reminds me of what I deeply love about this business.
I'm watching the show and I'm watching the audience watch the show. Because once you leave the rehearsal room, you have space and you can see it. You can watch them watch it. You can't see your work, really, until you're in the theater. You have no perspective. That's not part of my job, to go, "Oh my God, they're so brilliant." I'm not required to swoon.
The very first job I did, a Barbie commercial when I was eight or nine, that was like 'Oh my God.' Because when you're watching things on TV, you think it's like a fantasy. But then to actually do it and then see yourself, it's like 'Oh my God.'
It was a train wreck happening right in front of me and I couldn't do anything about it, except that not only was I watching, I was also the train.
Sometimes it's like watching a train wreck. You're uncomfortable, but you just can't help yourself. Some of those so-called bad interviews actually turned into compelling television.
I watch 'Shark Tank,' of course. It's very entertaining. I think it's actually good to help people think about the business they might start, and sometimes you get encouraged by looking at someone going into business and saying, 'Hey, I could do that.'
Our democracy cannot be left in the hands of those who would rather watch or participate in a train wreck than stop it.
The reason I do Shark Tank isn't to try take make more money of the deals, even though every deal I want to make money off of and even more so I want the entrepreneurs to be very successful and make money, but Shark Tank sends a message to everybody that the American Dream is alive and well.
People love to watch a train wreck, I suppose.
Shark Tank's participatory. There's so many people on Twitter for this show, and they all feel like they're in the tank, making calls on this stuff.
With Orff it is text, text, text - the music always subordinate. Not so with me. In 'Magnificat,' the text is important, but in some places I'm writing just music and not caring about text. Sometimes I'm using extremely complicated polyphony where the text is completely buried. So no, I am not another Orff, and I'm not primitive.
I wasn't surprised at all. In fact, I thought, why stop there? Why not add the Big Show, or Chris Jericho, or the whole state of Nebraska for that matter? And don't you think a wrestling ring is a little old school, Lilian? Why not put the match in a shark tank, with real live sharks? Hungry sharks! And the only way to beat your opponent is to stuff him down a shark's throat, and pin the shark. Wouldn't that be a hoot?
There've been a few mother-daughter movies that are somewhat realistic. But the mother-son movies are more comical than realistic: 'Throw Momma from the Train,' 'Stop! or My Mom Will Shoot.' You don't sit in the dark and go, 'Oh my God, that's my mother.'
I have fantasized about people I haven't worked with for sure. Sometimes, when am watching a film, I'll be thinking, Oh my god, I should've got this scene or this song.'
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