A Quote by George S. Patton

Coward: someone who in a bad situation thinks with his feet — © George S. Patton
Coward: someone who in a bad situation thinks with his feet
Someone who thinks well of himself is said to have a healthy self-concept and is envied. Someone who thinks well of his country is called a patriot and is applauded. But someone who thinks well of his species is regarded as hopelessly naïve and is dismissed.
The difference between a brave man and a coward is a coward thinks twice before jumping in the cage with a lion. The brave man doesn't know what a lion is. He just thinks he does.
A coward is not someone who goes right to your face and tells you exactly how it is. A coward is someone who walks away.
Coward: One who, in a perilous emergency, thinks with his legs.
All the screen cowboys behaved like real gentlemen. They didn't drink, they didn't smoke. When they knocked the bad guy down, they always stood with their fists up, waiting for the heavy to get back on his feet. I decided I was going to drag the bad guy to his feet and keep hitting him.
When looking for a life partner, my advice to women is date all of them: the bad boys, the cool boys, the commitment-phobic boys, the crazy boys. But do not marry them. The things that make the bad boys sexy do not make them good husbands. When it comes time to settle down, find someone who wants an equal partner. Someone who thinks women should be smart, opinionated and ambitious. Someone who values fairness and expects or, even better, wants to do his share in the home. These men exist and, trust me, over time, nothing is sexier.
The nobler sort of man emphasizes the good qualities in others, and does not accentuate the bad. The inferior does the reverse. . . . The nobler sort of man pays special attention to nine points. He is anxious to see clearly, to hear distinctly, to be kindly in his looks, respectful in his demeanor, conscientious in his speech, earnest in his affairs. When in doubt, he is careful to inquire; when in anger, he thinks of the consequences; when offered an opportunity for gain, he thinks only of his duty.
He who has calmly reconciled his life to fate, and set proud death beneath his feet, can look fortune in the face, unbending both to good and bad; his countenance unconquered.
That's good when the guy has confidence. It's not bad. I want to fight someone who thinks like that.
I feel like my own background in improv and doing documentaries makes me really comfortable with a situation where you're letting things unfold and you don't have to be a jerk, stomping his feet, trying to get his way on everything.
The day I don't attend to my nostrils is the day I will have forsworn that world and become a different person. Someone otherwise preoccupied. Someone who couldn't care less what anyone thinks of his appearance - someone for whom the material life has lost its appeal.
The hero and the coward both feel the same thing, but the hero uses his fear, projects it onto his opponent, while the coward runs. It's the same thing, fear, but it's what you do with it that matters.
What is attempted in these film is of course a synthesis. But it can be seen by someone who has his feet in both cultures. Someone who will bring to bear on the films involvement and detachment in equal measure.
A refugee is not just someone lacking in money and everything else. A refugee is vulnerable to the slightest touch: he has lost his country, his friends, his earthly belongings. He is a stranger, sick at heart. He is suspicious; he feels misunderstood. If people smile, he thinks they ridicule him; if they look serious, he thinks they don't like him. He is a full-grown tree in the dangerous process of being transplanted, with the chance of possibly not being able to take root in the new soil.
As bad as your situation may be, someone else always has it worse than you.
Sir, he [Bolingbroke] was a scoundrel and a coward: a scoundrel for charging a blunderbuss against religion and morality; a coward, because he had not resolution to fire it off himself, but left half a crown to a beggarly Scotsman to draw the trigger at his death.
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