A Quote by George Pelecanos
I don't believe that murders can be "solved." I think that this is the big lie of the mystery novel, that you should close the book and feel that the world is back in order and everything's all right. I want the reader to know that the world is not all right, and maybe we ought to do something about it.
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As a reader, I want a book to kidnap me into its world. Its world must make my so-called real world seem flimsy. Its world must lure me to return. When I close the book, I should feel bereft.
The real does not die, the unreal never lived. Set your mind right and all will be right. When you know that the world is one, that humanity is one, you will act accordingly. But first of all you must attend to the way you feel, think and live. Unless there is order in yourself, there can be no order in the world.
What can you do when you don't fit in? What can you do when life seems to be passing you by?" "Follow me. I want to show you something. See the horizon over there? See how big this world is? See how much room there is for everybody? Have you ever seen any other worlds?" "No." "As far as you know, this is the only world there is, right?" "Right." "There are no other worlds for you to live in, right?" "Right." "You were born to live in this world, right?" "Right." "WELL LIVE IN IT THEN! Five cents please.
The right hand doesn’t know what the left is doing” is a phrase that refers to times when people ought to know, but don’t know, about something that is happening very close to them. For instance, you ought to know about the man who watches you when you sleep.
I sometimes think about that, when I finish in something big I find it even hard, I feel like I lose an actual noticeable percentage of my reading time. Even on the reader end I find it so hard when a book that I love so much ends, to find the kindness to enter into a new one. Do you know what I'm saying? To find my way in, I feel like even there's that space after. I just love inhabiting a book that hits right.
Why does anyone lie? 'Cause we're scared or crazy, maybe just because we're mean. I guess there's a million reason to lie, and I might've told that many...but none like that. I guess there's always that one lie we never get over. What? Oh, maybe you don't know about it yet. Maybe you never tell a lie so big it can eat away a part of you. But if you ever do...and if you get lucky...you might a chance to set it right. Just one chance to change it. Then it's gone. And it never comes back again.
The last thing Scripture should do is make you blind in the world. Instead, you hear everything, see everything, and feel everything because everything just so happens to point right back to it.
Write what you want to read. So many people think they need to write a particular kind of book, or imitate a successful style, in order to be published. I've known people who felt they had to model their book on existing blockbusters, or write in a genre that's supposed to be "hot right now" in order to get agents and publishers interested. But if you're writing in a genre you don't like, or modeling yourself on a book you don't respect, it'll show through. You're your first, most important reader, so write the book that reader really wants to read.
When you care about perfection, you care about an expectation. But there is also caring for where I am right now, for what's happening right now. When I spend time with students, they tell me that they've read something in a book or heard something from a teacher that they don't think they're living up to. And I tell them, “Take care of yourself right now. Befriend what's happening, not just who you're supposed to be or what the world should be like. This is where you are now. So how do you care for yourself this minute?
There's a kind of tension that if I'm getting a story right I can feel right away, and I don't feel that when I try to write a novel. I kind of want a moment that's explosive, and I want everything gathered into that.
I define a thriller as a big-stakes, multiple-viewpoint novel involving suspense, action, and mystery, in which the reader doesn't know everything but usually knows more than any single character.
The book is finished by the reader. A good novel should invite the reader in and let the reader participate in the creative experience and bring their own life experiences to it, interpret with their own individual life experiences. Every reader gets something different from a book and every reader, in a sense, completes it in a different way.
Maybe I was being too picky. Maybe I didn't want to be close to anyone. Maybe I'd just be the type who couldn't feel love all the way or something. I couldn't tell what was wrong, but what was wrong was that it just wasn't right.
I'm not entirely sure what a historical novel absolutely has to be, but you don't want a reader who loves a very traditional historical novel to go in with the expectation that this is going to deliver the same kind of reading experience. I think what's contemporary about my book has something to do with how condensed things are.
All right I think we've been down here in the dark long enough. There's a whole other world upstairs. Take my hand Constant Reader and I'll be happy to lead you back into the sunshine. I'm happy to go there because I believe most people are essentially good. I know that I am. It's you I'm not entirely sure of.
Ever read any [Friedrich] Hayek? He's great. The Road To Serfdom is like... I'm not a big political-science reader, but I actually dog-eared my copy. I ended up going back through it and writing a précis, I was so impressed by this book. It's all about what happens when government tries to make everything right.
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