A Quote by George A. Romero
I think zombies would fit in anywhere. You can tell any story, and put zombies in it. I don't know how I'd find the backing, but I think it'd be great to make a zombie gangster movie.
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I think the world's big enough for all kinds of zombies. You can have yours and I can have mine. I think by going with slow zombies I maybe have been asserting my own kind of zombie snobbery, but I don't begrudge the youngsters their tackling, running, jumping zombies.
They're [zombies] us, you can also have the wrestler zombie, the clown zombie, the Jay Leno zombie and the nun zombie. I've never seen the clown werewolf or vampire. But because zombies are us, at the lowest possible level, they're a lot more versatile for storytelling.
Zombie purists don't even call our zombies zombies, because to be a zombie you have to be undead. That's something zombie purists can fight about for years and years to come.
We've done a zombie episode - only one - and the way we look at it as is we understand that there probably aren't zombies out there for real, but there's a lot of interesting stuff we can test about them. We've tested how bodies of zombies pressing against a gate, would they push it through and things like that.
I love zombies. I don't know how else to answer that... I have trouble falling asleep, so there are certain scenarios I use in my head to relax. I find sniping zombies very relaxing.
If you look at zombie movies throughout history, they're always making adjustments. Even the idea of the virus zombies and the back-from-the-dead zombies... there's been tons of tweaks.
I do like the zombie movies quite a bit. I know there are purist zombie guys that don't like the running zombies, but I dig the infected thing. I think that's a scarier incorporation of an element into the genre.
I love zombies, and I love playing zombie-killing video games, so I was always super into the zombies, seeing how it all works and seeing the blood everywhere. I love that kind of stuff.
I love zombies. If any monster could Riverdance, it would be zombies.
Regency romances end in marriage; zombie stories end in the zombies being vanquished. 'Pride and Prejudice and Zombies' delivers both.
The hardest thing when you're making a zombie movie is, 'How am I going to kill these zombies? I need a clever way to knock these guys off.'
When I started writing, there was nothing about zombies. It was all teen movies, which to me are scarier than zombies, but that's another story.
The worst part about zombies raging unchecked is the slow paralysis that they induce in people who aren't quite zombies yet. The rest of us un-zombies turn our heads, hoping the ghouls will just go away.
When fighting zombies, the only comfort one can have--if, indeed, it can be called a "comfort"--is knowing where the zombies are. "They are over there, and we are over here. When they come at us, we're going to shoot them down. That's how it's going to work. They're just zombies, and they're way over there. No way are we going to f*** this up." But when zombies then unexpectedly pop up behind you--Bam!--the whole battle plan's not so cut and dried, is it, Mr. Tough Guy?
Since zombies are not fully dead, they upset the essential balance of nature: no animals eat zombies, apparently, and zombies do not seem to decay, at least, not to the point of disintegration and reintegration back into the soil, so the food chain, or the circle of life, seems to end or be short-circuited by their existence. Zombies fulfill the worst potentialities of humans to create a hellish kingdom on earth of endless, sterile repetition and boredom.
Because the idea of zombies seems to make sense, and seems to, in a certain sense, be possible, I think one can use that to argue against the thesis that everything is purely physical. Now many people, I think, agree that the idea of zombies are conceivable, including people who want to be physicalists.
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