A Quote by George Saunders

The generalizing writer is like the passionate drunk, stumbling into your house mumbling: I know I'm not being clear, exactly, but don't you kind of feel what I'm feeling? — © George Saunders
The generalizing writer is like the passionate drunk, stumbling into your house mumbling: I know I'm not being clear, exactly, but don't you kind of feel what I'm feeling?
You're drunk, and I'm drunk, and I'm just exactly drunk enough to tell you anything you want to know. That's the kind of girl I am. If I like a person, I'll tell them anything they want to know. Just ask me. Go ahead, ask me.
Being healthy is feeling the same way as little children feel. Little children are bursting with energy every day. Their bodies feel light and flexible; moving is effortless. They're light on their feet. Their minds are clear; they're happy, and free of worry and stress. They sleep deeply and peacefully every night, and they wake up feeling completely refreshed, as if with a brand-new body. They feel passionate and excited about every new day. Look at little children and you will see what being healthy really means. It is the way you used to feel, and it is the way you should still feel.
The difference between the three Abrahamic religions: Christianity - mumbling to the ceiling, Judaism - mumbling to the wall, Islam - mumbling to the floor.
As your consciousness becomes more settled, all your life patterns change. What religions have called sin will disappear from your life, and what they have called virtue will automatically flow from your being, from your actions. But they have been doing just vice versa: first change the acts... It is as if you are in a dark house, and you are stumbling over furniture and over things, and you are told that unless you stop stumbling, light is not possible.
In every case, the remedy is to take action. Get clear about exactly what it is that you need to learn and exactly what you need to do to learn it. BEING CLEAR KILLS FEAR. Make it thy business to know thyself, which is the most difficult lesson in the world.
Not that I say,"Oh,I'm not going to associate with certain people.," but I have my world,and I only want to be around people who I feel stimulated by. I have to be honest I do have a new quest: I want to meet more vegetarians,people who are more like minded. There's something real neat about that feeling. It makes you feel so settled to know there's somebody else sitting right there,being so passionate about what I'm passionate about. I don't want to be around selfish people. I try to keep myself surrounded by deep people who will move me.
You know that feeling when your leg falls asleep and you can't really feel it or move it? Well, that's what my legs feel like all the time, so being fluid and graceful has been difficult.
I kind of feel like I have grown as just like a human being as a human being by being able to adapt and adjust and know that like you can't ever rest on your laurels, you have to sort of wake up; you actually have to be present.
I know if I don't look after myself, I will be talking to you in a couple of years' time mumbling my words and slurring. It won't be because I am drunk: it will be the fighting, taking blow after blow to the brain. That scares me. I don't worry about being killed in the ring; it's losing my mind that I fear.
Being a kid, as all kids do, you feel out of place or like kind of a freak. You wake up feeling like your head got put onto someone else's body that day.
You have to be always drunk. That's all there is to it-it's the only way. So as not to feel the horrible burden of time that breaks your back and bends you to the earth, you have to be continually drunk. But on what? Wine, poetry or virtue, as you wish. But be drunk.
This record was kind of, like, innocent. It's called 'The Innocents.' So it's the concept of being young enough to not really understand the implications of your decisions and then kind of feeling the weight later and being, like, but I was innocent. Like, did I deserve this?
My literary criticism has become less specifically academic. I was really writing literary history in The New Poetic, but my general practice of writing literary criticism is pretty much what it always has been. And there has always been a strong connection between being a writer - I feel as though I know what it feels like inside and I can say I've experienced similar problems and solutions from the inside. And I think that's a great advantage as a critic, because you know what the writer is feeling.
You know, things come up and we have those conversations. I feel that they're all in a kind of similar state, which is that we all keep working on them, in house, until we feel like it's ready and then it goes from being something that were working on to ready very quickly.
I rarely know exactly what I want to do, but always know exactly how I want it to make me feel. Feeling always leads the sound!
I kind of feel a bit insecure about things. At fashion parties, I do feel like people are kind of watching me and I get so shy, and I think, Oh, if only I could have a drink now. But then that feeling disappears - it actually disappears pretty quickly. I remember how happy I am that I don't drink anymore. I think about all the bad times I had when I was drunk. I messed up so many things. I don't want to do that anymore.
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