A Quote by George Saunders

It blew my mind, reading Swing Time, that I could take any sentence in the book, and it was one of the most beautiful sentences written in English. — © George Saunders
It blew my mind, reading Swing Time, that I could take any sentence in the book, and it was one of the most beautiful sentences written in English.
Beautiful sentences pop into my head. Beautiful sentences that aren't always absolutely accurate. Then, I have to choose between the beautiful sentence and being absolutely accurate. It can be a difficult choice.
Reading activates and exercises the mind. Reading forces the mind to discriminate. From the beginning, readers have to recognize letters printed on the page, make them into words, the words into sentences, and the sentences into concepts. Reading pushes us to use our imagination and makes us more creatively inclined.
I have a hard time revising sentences, because I spend an inordinate amount of time on each sentence, and the sentence before it, and the sentence after it.
I remember my wife in white.' It just made people weep to hear it...Everybody just thought it was the saddest sentence that was ever written. And it didn't matter if I never wrote another word. This one sentence had put an end to the need for any future sentences. I had said it all.
There's no substitute for the love of language, for the beauty of an English sentence. There's no substitute for struggling, if a struggle is needed, to make an English sentence as beautiful as it should be.
I know I have a problem with semi-colon abuse and have written page-long sentences. Nobody needs to be reading page-long sentences, at least not written by me.
The only way [the book can be written] is to set the unbook-the gilt-framed portrait of the book-right there on the altar and sacrifice it, truly sacrifice it. Only then may the book, the real live flawed finite book, slowly, sentence by carnal sentence, appear.
Every sentence has a truth waiting at the end of it and the writer learns how to know it when he finally gets there. On one level this truth is the swing of the sentence, the beat and poise, but down deeper it's the integrity of the writer as he matches with the language. I've always seen myself in sentences. I begin to recognize myself, word by word, as I work through a sentence. The language of my books has shaped me as a man. There's a moral force in a sentence when it comes out right. It speaks the writer's will to live.
The first book ever written in an alphabet was the Hebrew Bible or the Old Testament. And the most important passage was the Ten Commandments. The first commandment is the most revolutionary sentence ever written. It states: "I am the Lord thy God there is no other." The second prohibits us from making images. Thus, there is a profound rejection of any goddess influence and a ban of representative art.
And most of all, books. They were, in and of themselves, reasons to stay alive. Every book written is the product of a human mind in a particular state. Add all the books together and you get the end sum of humanity. Every time I read a great book I felt I was reading a kind of map, a treasure map, and the treasure I was being directed to was in actual fact myself.
We got through all of Genesis and part of Exodus before I left. One of the main things I learned from this exercise was not to begin a sentence with "And." When I pointed out that most sentences in the Bible began with "And," I was told that English had changed since the time of King James. In that case, I argued, why make us read the Bible? But it was in vain. Robert Graves at that time was very keen on the symbolism and mysticism in the Bible.
It's a completely powerful and serious book, as good as anything in prose or poetry written by a 'beat' writer, and one of the most alive books written by any American for years. I don't see how it could be considered immoral.
I subject my sentences and the words to a kind of Grand Inquisition. I'm trying always to leave out what I think is extraneous. And to find what I think is the most wonderful language to make a beautiful sentence. Not beautiful in the sense of "oh it's flowy" but in the sense that it really does what it's supposed to do, it what I want it to say.
He was so excited by this little bit of intelligence that he might have gone off, perplexed, pondering for a long time. It was like reading a wonderful sentence in a book, and not being able to continue because so many possibilities were crowding his mind.
The book was long, and difficult to read, and Klaus became more and more tired as the night wore on. Occasionally his eyes would close. He found himself reading the same sentence over and over. He found himself reading the same sentence over and over. He found himself reading the same sentence over and over.
'I am' is reportedly the shortest sentence in the English language. Could it be that 'I do' is the longest sentence?
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