A Quote by George Stroumboulopoulos

I don't do gossipy interviews because I don't think that helps; I think that's a distraction. — © George Stroumboulopoulos
I don't do gossipy interviews because I don't think that helps; I think that's a distraction.
I think kids relate to me because I have some ability to remain a little bit naive. Even during interviews. Mostly during interviews.
I think being an outsider in general always helps you in comedy. I think it helps to have an outsider's eye. And so I have an outsider's voice. You know, as soon as I start talking, I don't belong here. And I think that helps in a way.
I intentionally abandoned the hard stuff early on because not only do I think it's useless, I think it's a distraction.
I think it's such a risky thing doing interviews. I try to limit the amount of interviews that I do because no one is that interesting especially when you're not really saying anything. And I don't particularly want to be an character in society or whatever.
I don't think there's a direct correlation between my sexuality and my skiing ability. But I think because I was so concerned about it being found out, it was a distraction.
I've done thousands of interviews in my life, and it's a format that I quite enjoy, because I think of questions in interviews as an opportunity to sort of gauge my growth in a way. It gives me an idea of how I'm navigating this world that I'm in.
I think that readers believe that a writer becomes friends with the people he interviews and writes about - and I think there are some writers who do that - but that hasn't happened to me. I do think it's dangerous because then you write the article to please them, which is a terrible error.
In 2014, I knew my English was not so bad, but I had no confidence in talking directly to an English-speaking reporter. I had to do a short interview with, I think, Reuters from France. I was so nervous. I practiced memorizing three sentences for two hours. But, I think that these kinds of interviews make me develop a lot, and that helps me.
We think so because all other people think so; Or because-or because-after all, we do think so; Or because we were told so, and think we must think so; Or because we once thought so, and think we still think so; Or because, having thought so, we think we will think so.
I like a fine wine. Who can beat that? I don't think it helps writing; I think it's a hinderance. It helps numb you.
I think my experience as an actor helps me to write anything. It certainly helped me to write 'August Osage County.' It helps me to write any play that I'm working on because I think one of the things I do well is write good roles for actors.
I think there's always a call for people who are bucking the norm. But I don't expect it to happen now because I think that more than ever the entertainment industry is trying to serve as a distraction, to keep people from thinking too hard.
To be honest, there are parts of 'How Literature Saved My Life' that began as interviews. Someone was telling me that they think the book sounds very phonic: that it sounds like me speaking. And I don't think it's a coincidence that there are six to ten passages that I cadged from various interviews that I did post-'Reality Hunger'.
I think the fact that I have a solid head on my shoulders and a brain inside that head gives me an edge over my competitors. It helps when I am giving interviews, charting out strategy for my career and choosing scripts.
Oh, it's a case of 'they think I'll think that they'll do A, so they'll do B because I wouldn't think they'd think of that but then because I might think I know what they're thinking they'll do A after all because I wouldn't think they'd think that way,' Will said
I typically don't adopt the ascetic approach. In part, that's because I do use the Net for research even as I'm writing (to check facts, or so on). But I think it's also because I find the possibility of distraction comforting.
This site uses cookies to ensure you get the best experience. More info...
Got it!