A Quote by Giorgio Moroder

I had an idea for a technologically advanced luxury watch. I got involved in digital art and neon painting and put on shows of my work. — © Giorgio Moroder
I had an idea for a technologically advanced luxury watch. I got involved in digital art and neon painting and put on shows of my work.
I come from a generation where you put the art out and had the luxury to sit back and watch the world deconstruct it, and that was valued. Unfortunately now the work lives in a weird context.
At first I had some idea that the absence of color made the work more physical. Early on I was very involved with the notion of the painting as an object and tended to attack that idea from different directions.
We need to focus on what we know to do best, and our domain is the highest quality in luxury products and spending the most attention on uncompromising quality, not on being technologically advanced.
Atlantis was a highly evolved civilization where the sciences and arts were far more advanced than one might guess. Atlantis was technologically advanced in genetic engineering, computer science, inter-dimensional physics, and artistically developed with electronic music and crystal art forms.
I had the impression in art school that cartooning was thought of as a lesser art than painting because cartoons are reproduced, so the "work" is not the single thing like a painting, but instead is the reproduced image.
I love rewatching 'Real Housewives of Atlanta' episodes, 'Project Runway,' 'Making the Cut' and other fun shows. If there's fashion and/or drama involved, I'll give it a watch. And of course I've got to watch my show 'Dragnificent' on TLC!
I had no idea about where I was going. I had no sense of art as anything other than a problem to be fixed, you know, an itch to be scratched. I was in that studio trying my best to feel content with myself. I had, like, a stipend. I had a place to sleep. I had a studio to work in. I had nothing else to think about, you know. And that's - that was a huge luxury in New York City.
In every painting, as in any other work of art, there is always an IDEA, never a STORY. The idea is the point of departure, the first cause of the plastic construction, and it is always present all the time as energy creating matter. The stories and other literary associations exist only in the mind of the spectator, the painting acting as the stimulus.
I felt people wouldn't be enticed by the web, but I was wrong. I too don't watch TV anymore, and only watch digital shows.
Speaking from personal experience, I watch zero shows when they air. The only shows I watch live are awards shows or sports. Shows like 'True Detective' and 'Game Of Thrones,' I watch every episode, but I don't watch them as they air, and I think that's becoming the case for people more.
If I buy a luxury gift for someone I love, it's got to be perfect. The product has to be in perfect condition from the company. If I'm going to buy a luxury watch or luxury car or clothing for someone I love, it's got to be perfect, and they've got to handle it perfectly. They have to pack it perfectly. I want the people that I love to have that great experience, because you're paying so much, you should have it perfect.
The person who appreciates a great work of art has the feeling that the work grows in him as he becomes involved in a prolonged capturing of emerging marginal meanings. He feels that he, too, is creative, that he himself is adding to his experience and understanding. Moreover, he wants to confront the work of art many times. He is not easily tired of it, as he would be had he read a purely logical statement. He realizes that the work of art does not merely transmit information; it produces pleasure.
Art - be it painting, sculpture, music - they are all creations, they are creative acts. I consider a film, with everything that is involved in it, an art.
I like to have my breakfast in bed, and I use that time to watch the recorded shows on my TiVo. I seldom watch shows in real time - I'm always at work.
I can understand how technologically advanced action has become in our movies, but unless there is emotion or a strong story, it doesn't work. With every action sequence, there must be an emotion to justify it.
I enjoy doing digital work. I enjoy sculpting digitally. I've had my digital sculptures on covers of the top digital magazines.
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