A Quote by Josh Dun
That's the philosophy that we have always had. Going and playing in front of people and leaving an impressive from that standpoint.
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I had an expectation going into the NFL, and then the experience that I had exceeded what I expected to see from people that played at that level. And so, it was a learning experience not only from a mental standpoint and a physical standpoint, but just a routine standpoint.
You're moving a franchise. You're leaving one city and going to another, which is difficult from a fan standpoint, from a fan-base standpoint, but you have to take care of the detail things. As you go through that step-by-step process, from my standpoint, my job is to keep in mind the player needs.
When I was playing for Real Zaragoza, I had the responsibility that I was playing for the club that I support and that I love. When I was playing for Athletic Bilbao, I was feeling the responsibility to play for the most special philosophy in the world, which is only playing Basque people.
I know these away legs are always going to be tricky playing in front of 30,000 people.
I've always had a thing for playing in front of people, and the nerves never really creep in too much for some reason for me.
I think 'GoodFellas' is just a perfect film. From an efficiency of storytelling standpoint, from an entertainment standpoint, from a performance standpoint, from a use of music standpoint, from a cinematography and editing standpoint - to me, it's just a perfect movie.
[Maigret Sets a Trap] was always going to be the first film, and it seemed to be quite a nice story. But of course it meant that here I was playing this new character for the first time, in a place where he had been a relative failure, as all these people had been murdered and the pressure was on. Rather than starting optimistically with his pipe in front of the fireplace, he was in quite a difficult place.
I played for England at cricket and football. Playing at Wembley in front of 60,000 people seemed better than playing at Cirencester in front of my family and friends.
It is not always the job of people shouting outside impressive buildings to solve problems. It is often the job of the people inside, who have paper, pens, desks, and an impressive view.
If I started at 13, by the time I was 14 I was already good enough to play in front of people. I started off playing drums when I was 5, so playing in front of people didn't matter - not a problem.
I'm a big proponent of playing all sports when you're growing up. I think they all help you from a competitiveness standpoint to a movement standpoint. Certainty with tennis, you get the lateral quickness more than anything.
I was always playing the Hammond Organ back to front even during the days of the Nice, going back to 1968. Really what I was doing there, was choosing notes at random and trying to make some sense of them, improvising back to front.
I'm probably not going to be popular with the fighters with this one, but my biggest problem is guys playing it safe. I understand it from a coach's standpoint and a manager's standpoint. I understand why you'd want to play it safe and want to win the fight, win every fight. I get it.
We had built up a team in Edmonton that really knew who each other was from a personal standpoint and from a professional standpoint. Our nucleus had stayed together for a long time.
People always say to me, 'It must be so much pressure and so difficult playing out there in front of 60,000 people.' I always say, 'No, not really.' Playing football and earning great money isn't difficult. Working three jobs and raising kids alone, which is what my Mum did. That's difficult.
When you're playing in front of people, everything is external. It's all going from you out to an audience. When you're in a studio, it's very internalised, it's going from the air through you into this meticulously crafted, layered piece of work.
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