A Quote by Josh Duhamel
Relationships, if you want them to work, take work. The biggest thing that I learned growing up, and even now, is if it's right, it's worth it. It's just a matter of finding that person you want to be with.
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There's so many guys skiing so fast right now that you really have to be willing to take a lot of risks if you want to give yourself a chance to win. I'm prepared to do it; it's just a matter of if I can make it work.
The biggest thing to realize when you're guarding great players is, look, they're going to score - it's hard to guard anyone one-on-one, straight-up and have them be shut out. You just want to try to make them work for their possessions.
I just feel very grateful to be a part of that, to be a part of a winning team... I'm trying hard not to be used to it, but I am kind of. It is something where I've run out of people that I want to work with because I've worked with everybody I ever wanted to. I really have. I can't think of anyone I'd want to work with right now because I'd just want to work with the same people again.
Sometimes along the way in my life I don't want a smart woman right now, I want a dumb woman. But then you think, that doesn't work, now I want a smart woman. Then you get a smart woman and you go no, that doesn't work so it's just killing me right now.
The biggest thing I learned was that the harder you work for the thing that you love the most, then everything that you want is going to come true.
There are really good reasons to leave the workforce or work less or take a different job when you want to be with your children. I just want women - and men - to make that choice once they have the child. Not years in advance, because... they don't get the right opportunities. They give up before they even start.
I think there are some things in music that work and don't work. That's learned from counterpoint and rhythm and theory, and they don't work if you don't want them to work.
Millennials want to find meaning in their work, and they want to make a difference. They want to be listened to. They want you to understand that they fuse life and work. They want to have a say about how they do their work. They want to be rewarded. They want to be recognized. They want a good relationship with their boss. They want to learn. But most of all, they want to succeed. They want to have fun!
One thing I learned particularly at Yale was how to work with others. Having studied so long trying to master myself, the biggest challenge was learning about the other person's work.
I'm at the point in my career now, where I can take a bit of time to find exactly what roles are that I want to do and not work myself into a corner. I love acting and I love who I'm becoming, as I evolve as a human being. My work is an important part of me, which may or may not be healthy, so I need to do things that I love. I want to tell interesting stories, discover things about myself, and other people. The only way to do that is to not take jobs that feel repetitive or boring to me because then you're stuck doing that job instead of finding the thing that speaks to you.
I want to keep developing. I want to become relaxed in my own work and go deeper. Just growing and studying and trying new things and hopefully having professional access to work that's good and interesting. I don't want to be on the treadmill of artificiality.
Mojang doesn't want to just have work relationships, they want social relationships between friends.
The instrument that I never learned how to play was my fans. You know, they are the part of the story that nobody teaches you. I just want to do the right thing; I want to be a voice with them, among them.
Just remember--if you are really and truly determined to work with animals, somehow, either now or later, you will find a way to do it. But you have to want it desperately, work hard, take advantage of an opportunity--and never give up.
My children haven't read 'Winter Journal'. They have read some of my work, but I really don't foist it on them. I want them to be free to discover it in their own good time. I think reading an intimate memoir by your father - or an intimate autobiographical work, whatever we want to call this thing - you have to come at it at the right moment, so I'm certainly not foisting it upon them.
I want paint to work as flesh... my portraits to be of the people, not like them. Not having a look of the sitter, being them ... As far as I am concerned the paint is the person. I want it to work for me just as flesh does.
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