A Quote by Josh Smith

I would never make an artwork that I wouldn't want to make forever. Wouldn't you want to make Trash Humpers [Korine's 2009 film] forever? — © Josh Smith
I would never make an artwork that I wouldn't want to make forever. Wouldn't you want to make Trash Humpers [Korine's 2009 film] forever?
I also realise power is fleeting, it doesn't last forever in this career, so I want to make the most of it. I want to make the kinds of pictures that interest me, it's as simple as that. I've never done work for money ever. If your choices are based on grosses and the film doesn't do well, what does that mean? It leaves you with nothing.
I want to make a period film, I want to make a film set in another country. I want to make a foreign film. I want to make everything eventually. I am a storyteller. I have many stories to tell.
I don't want to have one hit, one song of the summer, and then have me disappear forever. I really want my things to last, and I want my songs and my bodies of work to resonate with people. I want to hit people - at least make a dent in them. I want to make a mark somehow.
Everybody wants you to do this thing that you've always been doing forever. That's what they want: they want Martin Scorsese to make the same film two hundred times rather than trying to be something different.
I'm a filmmaker; I want to make films. I don't want to sit in a hotel room waiting to make films, and I can control my thing in Denmark; I can make the film I want to make... of course, I have to write a good script, all that, but if I do my job, it will happen.
You want the film to be critically successful - you certainly want the film to be financially successful so that you can...well, because that's how movies like this are made, you know, they need to make money. But as a director, you can only make the movie that you want to make.
I think I learned very quickly after I started putting out music... you just learn that people are going to take what they want and make it fit their agenda or make it fit their interpretation. And you make peace with that or you suffer forever.
A film like 'Good Night And Good Luck,' you make that for $7 million because you know it's a black-and-white film, and it's not an easy sell. If you make it for $7 million, then everybody can have a chance to make a little bit of money, and you get to make the film you want to make.
What more could one ask of a companion? To be forever new and yet forever steady, to be strange and familiar all at once, with enough change to quicken my mind, enough steadiness to give sanctuary to my heart. The books on my shelf never asked to come together and they would not trust or want to listen to one another. But each is a piece of a stained-glass whole, without which I wouldn’t make sense to myself or to the world outside.
Those are the films I want to make. I don't want to make a film about, "Oh, those poor prostitutes!" Or "Oh, isn't it terrible in Chicago!" I want to make a film where people think, "Brenda's like me!"
i want to make it official, i want to make it forever
I think I would want to make toys. Maybe it's that thing about trying to be a kid forever.
What we love that 'The Way Back' is not subsidized, it's alive and kicking. And if I can't make the kind of film that I want to make, then the hell with it, I've had a great run. But I'm more concerned with the younger people coming up that want to make this kind of film.
It would be great to play in one place forever. But at the same time, you want to win and make sure you're in a position to do so.
Everything I do in my life I do to make my mum and dad proud. I want to carry on in my dad's footsteps and make sure that his legacy lives on forever.
I'm addicted to making music, but I don't want to do it forever. I just want a farm. Farms make you happy.
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