A Quote by Josh Hartnett

I'm always trying to find something unique or a project that I can do something unique in. When the director has a vision for a piece that I've never heard before, and they can back that up with visuals and they talk a good game, I get really interested in the world that they're trying to create.
When the director has a vision for a piece that I've never heard before, and they can back that up with visuals, and they talk a good game, I get really interested in the world that they're trying to create.
I'm always trying to find something unique or a project that I can do something unique in.
I certainly would never overstep my bounds and make suggestions to a director. As an actor I'm trying to fit to the best of my abilities within the director's vision, and trying to find some happy rapport where we can both bring something to it that's fresh. Usually I've been lucky in working with directors who have trusted my instincts.
I have the point that everybody essentially have these unique set of DNA you have. There's something different about you genetically. You are unique is what I am trying to say - the combination of experiences and emotions you have felt are never repeated.
One of the most exciting and unique parts of slopestyle is that every course is unique. You don't really know what to expect when you show up at an event, and it's always fun trying to put a run together.
You can't be unique any way. Music is made from seven notes. You will always come back to something. Even if you think you are unique, you will come back to something that existed before you were doing what you are doing.
I'm always trying to come up with something new and unique. I do a beatbox with a harmonica.
Oblivion is something unique, an entertainment experience unlike anything I had seen before. I decided this was a project I really wanted to work on creatively, and I hope fans of the game enjoy the results.
The shift for me, after spending a long time trying to take existing projects and bring them to fruition as a director for hire, is going back to where I started as a self-generating director. After trying and failing to get so many things made, I have decided that you've just got to do something you really, really love.
If you have a vision or if you believe the director has a vision, then at least you've got something to talk about, something to try and head to and I think that's mandatory for every director to have to do a good job.
Every person born in this world represents something new, something that never existed before, something original and unique.
I think sometimes when people start doing improv there's some regression towards trying to replicate the "good" improvisers that they've read about in their improv books or heard about from their teachers. That's understandable, because they're trying to learn technique and stuff, but I actually think that my favorite performers are ones who have unique improv technique but also have a unique point of view that you can feel with them and their performances.
I'm just trying to find a good project. Work with a good director, someone I really admire. Find a good role.
I have such deep appreciation for artists who have the ability to create something from within, something completely unique and original to each piece of work.
I like it when people are kind and I like people who are looking for collaborators. Sometimes you can feel like a moving prop, and that could be amazing, you can be a prop in somebody's incredible vision, but I'm more interested in people who are looking for actors they can collaborate with and make something together with. I like stretching myself, I like trying new things out, but I'm really interested in working with directors who have a very specific style and a unique way of working.
I don't think I'm unique or that I'm trying to do something unique, but I feel it is something I would like to hear. This kind of music I would like to listen to but I can't hear very often.
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