A Quote by Josh Schwartz

Like they said about The West Wing, you can't do a show about Washington until you can. — © Josh Schwartz
Like they said about The West Wing, you can't do a show about Washington until you can.
The Monica Lewinsky scandal was happening at the very time I was writing the West Wing pilot and it was hard, at least for Americans, to look at the White House and think of anything but a punch line. Plus a show about politics, a show that took place in Washington, had just never worked before in American television. So the show was delayed for a year.
What we're doing on 'The West Wing' is fictional. It's not a place to learn about politics or government. Has there ever been a fundraiser on 'The West Wing?' No. So right there, you're in Disneyland.
My joke about Aaron Sorkin is that The West Wing was a great show about democracy, run by Kim Jong-Il!
'West Wing' was a show about politics.
Pretty much up until The West Wing, our leaders had always been portrayed in popular culture as either Machiavellian or dolts. But I thought, "What if we show a group of people who are highly competent, they're going to lose as much as they win, but we're going to understand that they wake up every morning wanting to do good?" That was really the spirit behind The West Wing.
Larry David called me and said, "You can never watch The West Wing again. Either the show is going to be great without you and you're going to be miserable, or the show is going to be less than great without you and you're going to be miserable." So I had them send a tape of the first episode that I didn't do. I put it in the VCR and I don't think I got 15 seconds in before I leapt up and slammed it off! It felt like I was watching somebody make out with my girlfriend. I've never seen a West Wing episode in seasons five, six or seven.
The key word about The West Wing is show. It is not a reality show. It has nothing to do with reality.
When we were doing 'The West Wing,' the hardest thing about doing 'The West Wing' was being compared to yourself. You go out there and want every episode to be as good as your best episode. I wrote 88 episodes of 'The West Wing,' and when you do that, one of them is going to be your 88th best, so your 88th best better be pretty good.
Actually, if I had to do it over [leaving the show the West Wing], I'd do the same thing, because lost in the shuffle of it is that Aaron [Sorkin] left the same year I did. And I would not have wanted to be on The West Wing with somebody else writing it.
When I came on 'The West Wing,' I jumped onto something that was already a steaming locomotive of a hit. It was very exciting for me because I knew, the moment I got the 'West Wing' job, 'Well, hey, so now I'm on a hit show because it already is established and very popular.'
Political art never goes away. I started watching The West Wing show recently and I'm actually learning about how the government works in a way. It's kind of embarrassing.
That's the great thing about 'The West Wing:' you really felt like you were in the thick of it.
The universe works in mysterious ways and for me it worked out perfectly. With all respect to everybody else, Aaron Sorkin is and was The West Wing, full stop. There's no West Wing without him.
'Feed' is about zombies and politics and blogging. It's about how George Romero actually saved the world! It's 'Night Of The Living Dead' meets 'The West Wing.'
I worked on a show called 'West Wing' before. I didn't work with Aaron Sorkin, but he created the show and set the tenor of the show, which was you follow the words of the script perfectly because there's a dramaturgical thing behind it.
Think about Kennedy. Think about Carter. Think about Clinton. Think about Obama. They've all been in their forties and from outside Washington, or underdogs in one way or another. I just think that Americans are looking everywhere, saying, 'Hey, show me some authenticity. Show me somebody who's practical. Show me people who run things.'
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