A Quote by Joshua Bell

I'm in a position where, theoretically, I could play the same ten concertos and make a very good living bouncing around playing Mendelssohn, Tchaikovsky and Barber, but I really think artists should keep pushing limits and trying new things.
Playing with decks, for me, has always been about trying new things. I make it a point to keep trying different things, keep pushing it a little bit at a time.
You know what I think? Very few people play because they love the game. Most of them play because they make good money. They keep playing because of the money. I could care less about it. If I don't love the game, no check is going to keep me playing.
Game Over is a very frustrating game convention. In short, it means, 'If you were not good enough or did not play the game the way the designer intended you to play, you should play again until you do it right.' What kind of story could a writer tell where the characters could play the same scene ten times until the outcome is right?
I'm trying to just keep pushing on the things I've been wanting to do in my life and in music. And think of new things to do!
I am so extremely busy with what I am doing myself. When I am not playing music, I am usually doing other things. Playing around with my Ferraris and playing tennis and things like that. What I understand, there is a new group of kids that are very serious about playing, which is great; I think that is a good thing.
No producer should revive a play unless they have a very good reason for it. I think there's quite enough about a good play to make it available to new audiences.
Failure isn't something to be embarrassed about; it's just proof that you're pushing your limits, trying new things, daring to innovate.
I have too much product, and I'm trying to rein it in and sell more of my main collection. I wish you didn't have to design so often; it would be good if you could keep on selling the same things for a few years and not have to do new things all the time.
You know, a lot of things changed. What never changed is the illusion to keep playing tennis, the illusion to keep doing well the things, and the illusion to be in a good position of the ranking and play these kind of matches.
I know I'm in a very fortunate position. I make a good living doing something I used to do for fun as a kid messing around in the garden. I'm in a fortunate position, so you try and give what you can, I guess.
Watch out for music. It should come with a health warning. It can be dangerous. It can make you feel so alive, so connected to the people around you, and connected to what you really are inside. And it can make you think that the world should, and could, be a much better place. And just occasionally, it can make you very, very happy.
I hope that in this year to come, you make mistakes. Because if you are making mistakes, then you are making new things, trying new things, learning, living, pushing yourself, changing yourself, changing your world. You're doing things you've never done before, and more importantly, you're doing something.
It's true that I don't think I'd be a good director. If I were a director, I'd try to hire the best people I could and then leave them alone. I don't know much about cameras or lighting, so I'd make sure that I had a really good cameraman who understood lenses and lighting, and I say to him, "This is the scene we have to shoot and this is what I think it should be, you go do it." Same with actors. But really, very good directors who know everything do basically the same thing. They hire you and then they leave you alone.
One lesson is to not to play desperately if your position is worse but still reasonable. Lashing out wildly in an inferior position usually only hastens defeat. Meanwhile, solid, stubborn defense can demoralize the attacker, make him lose confidence. When that happens, the tables can turn. Keep fighting, stay steady, keep morale high - and public protests are good for all of these things.
Pushing the limits, to be thought provoking, pushing people to think and question the limits, it's not always bad for the rules if you're confident because it can even strengthen your understanding of religion in the process.
My family has artists, but they are all working artists. They are not movie stars. They don't get paid. I really respect that blue-collared ideology where they're just trying to make a living.
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