A Quote by Joshua Bell

When I hear people clapping at the wrong times, I think that's great. We have got a listener that's not used to going to - we have got a new listener. — © Joshua Bell
When I hear people clapping at the wrong times, I think that's great. We have got a listener that's not used to going to - we have got a new listener.
I think, to be a great conversationalist, you need to be interested in being in said conversation. Oddly enough, I think you need to be a great listener, and I do think I'm a good listener. I think that's my asset - I always listen to people when I talk to them, and that's a big thing you have to have in life and in podcasts.
When I speak of the gifted listener, I am thinking of the nonmusician primarily, of the listener who intends to retain his amateur status. It is the thought of just such a listener that excites the composer in me.
People are always going to have favorite albums or songs and you know that's more the listener's personal bias than basing it on anything musical or actual. I'm the same way as a listener.
Writing original songs is much, much harder (I think) because you only have yourself to conjure up EVERY single moment a listener is going to hear. It's a craft that goes directly from your brain to their ears. You can never be sure that what you're writing is gonna be good enough to keep a listener engaged and truly experience something. It's a shot in the dark.
I'm not sure it's a better music world of appreciation and performance. I think the listener is a different guy, and listening is something he does in passing, with other stuff going on. There's less care and understanding of the relationship between the song and the listener.
Surely the hold of great music on the listener is precisely this: that the listener is made whole; and at the same time part of an image of infinite grace and grandeur which is creation.
I never fixed a story. I didn't make judgments, I let the listener make judgments. When I got to the end of the story, if it had a moral, I let the listener find it.
I have this ideal listener, as John Cage did. This listener doesn't bring expectations that my music will fit into some part of music history, or that it will do any particular thing. This listener is just open to listening.
A lot of people hear it in a dark way, but, I think, without saying the word too many times, it's empowering, and so we wanted to display that in a way that the listener wouldn't see normally.
I suppose my job is to describe spaces that are honest to me. And the goal, I suppose, is that the listener can hear themselves in some way in that song and also, in some way, hear me. And so if the listener is able to identify with my honesty then I'm being the most helpful I can possibly be.
You gotta make sure the listener is listening to you, so if you put it into a song, often times, if the song is striking enough, then you can really deliver the story most effectively while keeping the ear of the listener the whole time.
I'm very thankful, hearing impairment or not, that I've brought listening into my life. I will never say that I'm a good listener, however. Thinking that I was a good listener was one thing that kept me from being a good listener. It's a very dangerous thought. I just want to be better.
I'm a good listener, you know. My gran used to say that's why you've got two ears and one mouth. I just truly love what I do and treat it with a lot of respect and all these relationships in the music business that people talk about.
I think it makes you a good listener about other people's relationships when you haven't got that much to say about your own.
The best thing I could say is you do have to be a really good listener. If I go to a family reunion, and there's 400 people there, everybody comes up and tells me their stories, right? And I think that when you're a good listener, and you can imagine how someone's talking, dialogue is your key friend, is it not?
You've got to think as a listener when you're making a playlist. So I think 'When do I go to certain playlists, what are the moods I'm looking for?' Theme is crucial. People have a feeling and they want the music to be the backdrop to that feeling.
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