A Quote by Judi Dench

The secret of my success is my mother, who was from Dublin. All my relations are in Dublin or in the west, or as I found out, we went to Rostrevor in Northern Ireland to film and I got out, while they changed cars around, and this man said to me: "You know you have cousins in this town? And they're coming down to see you..." And so they did. I'm sorry we didn't go to a lot more places, so that I could find a lot more cousins. So, that was good. It's entirely because my father was also brought up in Dublin. So, that's my link.
I always went to Ireland as a child. I remember trips to Dundalk, Wexford, Cork and Dublin. My gran was born in Dublin, and we had a lot of Irish friends, so we'd stay on their farms and go fishing. They were fantastic holidays - being outdoors all day and coming home to a really warm welcome in the evenings.
But I believe Ireland is getting more European, and the young are looking toward Europe for jobs - just as there are a lot of Europeans coming to Dublin.
But one of the most fantastic things about Ireland and Dublin is that the pubs are like Paris and the cafe culture. And Dublin, in many ways, is a pub culture.
I grew up in Ireland, in the Wicklow Mountains just behind Dublin, and got a job in a Volkswagen garage when I was 14. I did it in the summer for about five weeks. My father thought it would be a great idea because I was really into bikes.
My mother's father was from Sligo, and he used to say it was the hardest thing in the world to find a man alive in Dublin who wasn't in the GPO during the Easter Rising. Twenty brave men marched into that post office, he said, and thirty thousand marched out.
My dad was Dublin born and bred - a Dublin boy - but he always pushed me to play for what was Wales Under-15s in my day.
Everyone knows everyone because we've all worked in theatre. All of our 'Dublin Murders' crew came from 'Game of Thrones'. Also, we only drink in two pubs in Dublin, so we always bump into each other.
When I come home, I say I'm coming home to Dublin. When I'm in Dublin, I say I'm going home to New York. I'm sort of a man of two countries.
Today I am so at home in Dublin, more than in any other city, that I feel it has always been familiar to me. But, as with Belfast it took me years to penetrate its outer ugliness and dourness, so with Dublin it took me years to see through its soft charm to its bitter prickly kernel - which I quite like too.
My Dublin wasn't the Dublin of sing-songs, traditional music, sense of history and place and community.
When I went to the all-Ireland final - Kerry against Dublin - I couldn't get away for an hour and a half with people coming up and wishing me all the best. Not one of them said, 'Martin, when did you leave the IRA?' But every one of them knew I was in the IRA at one stage.
It is ridiculous to believe that Greece might be taking in one million migrants, registering them, then giving refuge to those who have a right to asylum and sending everyone back that does not. Greece is not doing that. We can blame the Greeks for that, but at the same time we should change the Dublin Regulation. When we insist on this unrealistic procedure, it means nothing more than that we are defending Dublin while renouncing Schengen.
As a child growing up in Ireland, you would have to go to Dublin if you wanted to go to the luxury brands. And I remember my mother being too uncomfortable to go into some of those stores. I want to get rid of the barrier.
For myself, I always write about Dublin, because if I can get to the heart of Dublin I can get to the heart of all the cities of the world. In the particular is contained the universal.
My father was from Belfast; my mother was from Crossmolina. I grew up in Dublin.
I don't see [ Trainspotting ] as an albatross, I see it more as a calling card. It's got me out to Hollywood, I've got a good agent, I've got a good manager, I'm getting a lot of work out there and doing a lot of stuff - getting a lot of film projects on the go.
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