A Quote by Judy Collins

When inspiration does not come, I go for a walk, go to the movie, talk to a friend, let go... The muse is bound to return again, especially if I turn my back! — © Judy Collins
When inspiration does not come, I go for a walk, go to the movie, talk to a friend, let go... The muse is bound to return again, especially if I turn my back!
Some go to church to take a walk; some go there to laugh and talk. Some go there to meet a friend; some go there their time to spend. Some go there to meet a lover; some go there a fault to cover. Some go there for speculation; some go there for observation. Some go there to doze and nod; the wise go there to worship God.
When I announced on my Facebook page that I'm coming to Israel, people started telling me that I shouldn't go there, but I figured that if I'm not going to come here, then I guess I can't go back to the United States anymore and I can never go to Russia again and I should probably never go back to Germany and I should probably never go back to France and I should probably never go back to England....All I see here is a really beautiful city.
There are, it seems, two muses: The Muse of Inspiration, who gives us inarticulate visions and desires, and the Muse of Realization, who returns again and again to say, 'It is yet more difficult than you thought.' It may be that when we no longer know what to do, we have come to our real work and when we no longer know which way to go, we have begun our real journey.
Walk that walk and go forward all the time. Don't just talk that talk, walk it and go forward. Also, the walk didn't have to be long strides; baby steps counted too. Go forward.
There are times when one's life appears to be a stage. People come, people go. They come in order to go, and go with no intent of return. When they return, they return as one's past. A past that would make you feel that the present is false.
You have to make sure you have a relatable emotion through the movie. You have to check your ego and go into a territory and recognize that nobody knows you. You go back again and again, and by the third time, you are a star.
I'm a director because I directed a movie. And if I have any advice for people, it's, 'Go write something; go direct it. If that's what you have a desire to do, go do it. If the movie stinks, just put it on the shelf and try to do it again.'
If you want to make information stick, it's best to learn it, go away from it for a while, come back to it later, leave it behind again, and once again return to it - to engage with it deeply across time. Our memories naturally degrade, but each time you return to a memory, you reactivate its neural network and help to lock it in.
I would arrive in college at 8:30 A. M. and go back home at noon to go to the toilet. Then I would return again.
I have felt for a long time that I want to return back to being a singer-songwriter for a period of time. I will go back to Broadway. But I want to make the right choices about why to go back and when I am ready to go back.
I don't really... go to 'the opening of an envelope.' I don't really turn up to all the events, you know what I mean? If I'm involved, I'll go, and if there's a good friend who needs support, I'll go, but otherwise... I don't go. I'm probably just a bit like my grandparents; I like staying in.
...the dark ancestral cave, the womb from which mankind emerged into the light, forever pulls one back - but...you can't go home again...you can't go...back home to the escapes of Time and Memory. You Can't Go Home Again
I know people who have literally quit their jobs to spend more time with their children, and I go, 'Wow,' my dad used to go to work at 7 o'clock in the morning and he'd come back at 7:30 and we'd kind of see him walk in and then he'd go upstairs and suddenly he'd be in a T-shirt and grumpy. There wasn't much in the way of conversation that went on.
As the years pass, I find that writers who were once central to me aren't anymore. I revered Yeats's poetry in college. I respect it now and am still ravished by certain lines, but I don't go back to him again and again. I do go back to Emily Dickinson again and again.
I was Versace's muse, I was Valentino's muse, I was Alaia's muse, Lancetti's muse, Calvin Klein's, Halston's. I could go on and on.
People think of me as a stereotype: muse, privileged, decorative. Classically, the muses were the inspiration. They'd come and go - they wouldn't actually make things, get their hands dirty. I don't think I'm a muse, although I think I can help pull a trigger. I really like getting my hands dirty.
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