A Quote by Judy Holliday

Nobody can give a good performance unless the authors and composers have written a good part, a fact which is often overlooked. — © Judy Holliday
Nobody can give a good performance unless the authors and composers have written a good part, a fact which is often overlooked.
If you give it good concentration, good energy, good heart and good performance, the song will play you.
When you publish something, it is very much as if you pulled your pants down in public. If what you have written is good, nobody can hurt you; if what you have written is bad, nobody can help you.
A characteristic of older folksongs, in most cases, is that we don't know their composers or authors. Older folksongs were written often with no commercial purpose in mind. They were passed down by word of mouth, from generation to generation.
The good part of writing is where it gets out of your control and turns into something else. You look at it and think "Whoa, where did that come from? That wasn't what I meant to write, but it's more interesting than what I was intending. Which part of my subconscious or my experience did that come from?" Often the answer isn't clear, and often the line between fiction and fact isn't clear, either.
Poetry is not a silent art. The poem must perform, unaided, in its reader's head. Educated readers give themselves a good performance. Educated listeners compare performance with text and with other performances. Good poets use the full resources of language.
It is a fact often observed, that men have written good verses under the inspiration of passion, who cannot write well under other circumstances.
A good part's a good part. You can play serious and funny moments with a well-written role.
There are two good rules which ought to be written on every heart - never to believe anything bad about anybody unless you positively know it to be true; never to tell even that unless you feel that it is absolutely necessary, and that God is listening.
It is true that I got recognition. But however good the comedies are, nobody will accept a good comedy director as a good director. That is the sad part of it. Nobody knows who directed the 'Laurel and Hardy' movies. They know only Laurel and Hardy. Directors will never get a good name if they direct a comedy film.
There's a cumulative effect to getting good parts as a freelance actor, because you're only as good as your last job, and you have to keep going out and getting them. Unless you're part of the finance structure, by which I mean a bankable star, which I never was and never will be.
Don't give your sons money. Give them horses. Many a good son has been ruined through the acquisition of money but no good son has been ruined through the acquisition of horses. Unless they fell and broke their neck, which when taken at the gallop is a very good death to die.
I think it's more important to try and make a good film than give a good performance.
God has created all things for good; all things for their greatest good; everything for its own good. What is the good of one is not the good of another; what makes one man happy would make another unhappy. God has determined, unless I interfere with His plan, that I should reach that which will be my greatest happiness. He looks on me individually, He calls me by my name, He knows what I can do, what I can best be, what is my greatest happiness, and He means to give it me.
Because good writing in a TV cartoon is so rare, I think the animation on The Simpsons is often overlooked.
In fact, one of the descriptions of the character in the book is that 'IT' was not very good at replicating human emotions. And that's something that is overlooked in general.
No one is exempt from trials and tribulations. In fact, this is often what happens to people God loves very much, for it is part of God’s often mysterious and good plan for turning us into something great.
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