A Quote by Jewell Parker Rhodes

In 'Bayou Magic,' I bring in the cultural tradition of African mermaids - Mami Wata, the mother goddesses. — © Jewell Parker Rhodes
In 'Bayou Magic,' I bring in the cultural tradition of African mermaids - Mami Wata, the mother goddesses.
In 'Bayou Magic,' I write about African goddess-mermaids who accompanied slaves to America.
In Russia, they have Rusalkis, and they have Selkies in Scotland, and in Fiji, you have a special mention of it. The first earliest mermaid mentioned in history books was Atargartis in Assyria, a thousand B.C... In Africa, you have Mami Wata.
The three major mother gods of the Eastern populations seemed to be generating and destroying entities at the same time; both goddesses of life and fertility as well as goddesses of death.
To those who say "Sufism is apolitical" or "no politics," I respond: "No politics is politics." Look at the very old African Sufi tradition, the Asian Sufi tradition, or the North African Sufi tradition. Then you get it and understand what Sufism is all about wisdom, courage and resistance.
The Hunting Bayou and Greens Bayou watersheds have experienced major flooding over the years and are crying out for investment to protect the hundreds of thousands of residents and businesses in those areas.
It is a cultural tradition that makes New Orleans what it is. It also represents the roots of American music and an important part of the African-American community in New Orleans. It unites people in some of the poorer neighborhoods of the city. It is absolutely critical to continue.
For me, all mother in the world are my goddesses.
Most people think of Ariel when they think of mermaids. What they don't know is that she's surrounded by really hot-tempered mermaids.
The clothing is moving, the external version is moving. Whether the internal version is moving or not it is a different matter. It is good to practice Ayurveda, it is good to worship the Gods and Goddesses, it is good to do bhajans. Of course, depending on what your own personal development is, that will determine how, in what way and how well you will be able to connect to that tradition and bring it to life inside yourself.
It was easy to persecute me without people feeling ashamed. It was easy to vilify me and project me as a woman who was not following the tradition of a 'good African woman' and as a highly educated elitist who was trying to show innocent African women ways of doing things that were not acceptable to African men.
Anytime an African-American writes an unconventional novel, the writer gets compared to Ellison. But that's O.K. I am working in the African-American literary tradition. That's my aim and what I see as my mission.
The [Kwanzaa] holiday, then will of necessity, be engaged as an ancient and living cultural tradition which reflects the best of African thought and practice in its reaffirmation of the dignity of the human person in community and culture, the well-being of family and community, the integrity of the environment and our kinship with it, and the rich resource and meaning of a people's culture.
A very hurting thing for Black Americans - to feel that we can't love our enemies. People forget what a great tradition we have as African-Americans in the practice of forgiveness and compassion. And if we neglect that tradition, we suffer.
I think that when Riccardo Tisci wanted to bring more attention to the lack of African American presence on the runway, he also wanted to bring attention to the lack of a sensibility of African and Asian art.
I think one can live in American society with a certain cultural heritage, whether it's an African heritage or other, European,what have you, and still absorb a great deal of this culture. There is always cultural assimilation.
My mother's mother is Jewish and African, so I guess that would be considered Creole. My mother's father was Cherokee Indian and something else. My dad's mother's Puerto Rican and black, and his father was from Barbados.
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