A Quote by Julie Burchill
We are used to female writers who use their private lives as unmitigated material being somewhat hormonal; this somehow 'excuses' what might be seen as a highly unfeminine ability to turn their personal upsets into money.
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Narco fiction novels have a reputation, at least here in Mexico among some of the writers I know, of being somewhat rushed productions, usually written in one way or another like crime thrillers, with something cheesily exploitative about them. It feels exploitive - taking this horrible and ongoing tragedy and trying to turn it into something entertaining. Or trying to turn it into something that might earn the writer a reputation of the sort that many writers believe they aspire to. Or earn them money.
We all have excuses. We could all take all of the things that have happened to us over the course of our lives and use them as excuses for being cruel to others.
When doing a revival, you have a lot of people asking you questions about someone who played it before, and to me that's neither here nor there - it has no bearing on the material that I have to use. The material that is written down in a score and script that the writers originally used is what I use.
I think most serious writers, certainly in the modern period, use their own lives or the lives of people close to them or lives they have heard about as the raw material for their creativity.
Any drug that alters a female's hormonal composition is a big deal. I have written about my journey with hormonal concoctions, and I assure you that they are nothing to be taken lightly.
One of life's fundamental truths states, "Ask and you shall receive." As kids we get used to asking for things, but somehow we lose this ability in adulthood. We come up with all sorts of excuses and reasons to avoid any possibility of criticism or rejection.
One of life's fundamental truths states, 'Ask and you shall receive.' As kids we get used to asking for things, but somehow we lose this ability in adulthood. We come up with all sorts of excuses and reasons to avoid any possibility of criticism or rejection.
As a citizen I might be well-behaved and have nothing salacious or radical about me, I might be a total bore, but I might suffer somehow if other people are being spied on and blocked from doing important work that might have a collective benefit down the road. The personal doesn't necessarily translate to the social.
I've learned that social media and our private lives, you know, our private lives are not so private anymore, so it takes a little bit of getting used to.
I was born female, but even from a young age I had a hormonal imbalance where I knew I wasn't female.
The men who espoused unpopular causes may have been considered misguided, but they were rarely attacked for their morals or their masculinity. Women who did the same thing were apt to be denounced as harlots or condemned for being unfeminine - an all-purpose word that was used to describe almost any category of female behavior of which men disapproved.
The governments are seen to be less effective than they used to be. The private sector is perceived as being so much more efficient, and so globalization implies a transfer of power to the private sector.
Gender used to be a barrier for women to overcome if they wanted to be in politics, but today in Taiwan the situation is somewhat different. I think there is even a preference for a woman candidate, and in local elections, we have seen that younger, better-educated female candidates are overwhelmingly preferred by the voters.
The comedians all finished their acts with a song. They would get a certain amount of money from the song publishers and would use that money to pay the writers. None of them paid very much for their comedy material, but it all added up.
Writers are outsiders, and usually not by their own choosing. It’s why they’re writers. If they didn’t feel alienated from human experience, they wouldn’t feel so drawn to writing to make sense of their lives. It’s not the outsider’s facility for language that makes her a writer — many a student body president or homecoming queen can turn a phrase — but her ability to howl at the moon, on the page.
I used to teach writing in a federal prison, and for my students' benefit, I would liken the narrative use of this highly personal point of view to a boxer's getting in close to his opponent.
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